Frontiers, Settlements, and Development in Folklore Studies, 1972-1985
Bibliographic Data
| ID | 20149765 |
|---|---|
| Authors | José E Limón, M J Young, Matt Young |
| Year | 1986 |
| Volume | 15 |
| Issue | 1 |
| Pages | 437-460 |
| Publication date | 1986-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Annual Review of Anthropology (BOOK_SERIES) |
| Journal identifiers | ISSN: 0084-6570 • E-ISSN: 1545-4290 |
| Publisher | Annual Reviews (PUBLISHER • US) |
| DOI | 10.1146/annurev.an.15.100186.002253 |
| OpenAlex | W2156983280 |
| Language | EN |
| Citations received | 21 |
| References cited | 65 |
rary anthropological study of folklore with an additional consideration of others. Space considerations and intellectual saliency limit the total number of works we consider representative of these trajectories. Our title and primary focus come from our examination of the scholarly shape of the field as it has developed since the marked intervention in the early and mid 1970s of a new conceptual approach in the study of folklore. We refer to the clear emergence of and contextually centered understandings of folklore as social behavioral process and as situated communicative interaction (23, 122). Our essay primarily focuses on the achievements and limitations of this central trajectory in folklore studies since 1972. In his most recent formulation of the concept of performance, Bauman (15) usefully identifies three related definitions and uses of performance in contemporary sociocultural analysis: as situated, ordinary cultural practice, an approach indebted to the Marxian concept of praxis; as cultural displays or, to use Abrahams' term, enactments (3), an approach closely identified with a particular wing of symbolic anthropology (Singer, Geertz, V. Turner, and Peacock among others) which while closely allied to folklore we nonetheless exclude from this space-limited review; finally, as the situated interactional practice of verbal art-oral poetics. It is this third sense of that Bauman identifies as his own, and it is also the central concern of anthropological
Archaeology · Economic geography · Ethnology · Folklore · Geography · Human settlement · Sociology · Anthropology · Folklore, Mythology, and Literature Studies · History · Media, Communication, and Education · Music History and Culture
Mr. Elizabeth, Island Storyteller
Yucatan's Dancing Pig's Head ( Cuch)
Performance at the Nexus of Gender, Power, and Desire
Coming to the edge of the circle
Switchings Among Netdoms
Indexes, power, and netdoms
Classifications of Macca Oromoo Girls’ Nuptial Songs (Sirba Cidhaa)
Stumbling toward Wisdom
Why Performance? Why Now? Textuality and the Rearticulation of Human Presence
Beyond frontiers
Materializing the Everyday
Personal narrative, performance, performativity
Practice Theory in Folklore and Folklife Studies
Masks in context
Cultural Creolization
Yucatán's Dancing Pig's Head (Cuch)
Performance at the Nexus of Gender, Power, and Desire
After the Revolution
The State of Research on Performance in Africa
The Politics of Appropriateness and Appropriation
Poetics and Performances as Critical Perspectives on Language and Social Life
Toward new perspectives in folklore.
Metaphors of masculinity
The man-of-words in the West Indies
Breakthrough Into Performance
Embellishing a Life of Labor
Structural Analysis of Oral Tradition
The Texas-Mexican Conjunto
The Narrowing Gyre
The Quilters
The Afro-American Tradition in Decorative Arts
You've Come a Long Way. And Now This Is Your Retirement
Radicalism and Professionalism in Folklore Studies
Folklore and Fakelore
The History of Folklore in Europe
Women as Verbal Artists
The Hand Made Object and Its Maker
Chain Carvers
The Ceremony of Innocence
Theory and History of Folklore
The Study of American Folklore
Artists in Aprons
The Folkstories of Children
Ethnic Folklore and the Folklore of Ethnicity
Women's Folklore, Women's Culture
La Terra in Piazza
The Jokes of Sigmund Freud
Concepts of the Past in Folkloristics
Analytic Essays in Folklore
See so That We May See
José Mosqueda and the Folklorization of Actual Events
Let Your Words Be Few
Theory and History of Folklore
Images of Power and the Power of Images
I Could Talk Old-Story Good
Fair Young Ladies and Bonny Irish Boys
Western Marxism and Folklore
Performance and Honor in 13th-Century Iceland
The Text Is the Thing
The Urban Experience and Folk Tradition
The Song beyond the Song Aesthetics and Social Interaction in Greek Folksong
On the Role of Functionalism in Contemporary Folkloristics
Brothers in Clay
Shouting for the Lord
Jeannie Robertson's My Son David
Folklore and Women
Performative Categories and Symbols of Passage in Rural Greece
The World from Brown's Lounge
The La Have Island General Store
Weaving Rag Rugs
The Power of Words in African Verbal Arts
Is There a Folk in the Factory
A Model for the Analysis of Folklore Performance in Historical Context
Forms upon the Frontier
Bridge between Worlds
Folklore Research and Western Marxism
Oral Performance
The Contribution of Folklore to Sociolinguistic Research
Treasure Tales and Pedagogical Discourse in Mexicano New Mexico
Personal Power and Social Restraint in the Definition of Folklore
Three Functions of Folklore
Visible Proofs
Strategies in Text and Context
The Pragmatics of Proverb Performances in New Mexican Spanish
Semiotics of Culture
The Ethnography of Speaking
| Unique citing works | 21 |
|---|---|
| Citations per year | 0,58 |
| Citation span | 1990 - 2020 (31) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 18 |