Crossing the Kala Pani

Cause for “Celebration” or “Commemoration” 150 Years on? Portrayals of Indenture in Recent South African Writing

Bibliographic Data

ID20156027
AuthorsLindy Stiebel (0000-0002-6284-0481, University of KwaZulu-Natal, corresponding author)
Year2011
Volume27
Issue2
Pages77-90
Publication date2011-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Literary Studies (JOURNAL)
Journal identifiersISSN: 0256-4718 • E-ISSN: 1753-5387
PublisherUnisa Press (PUBLISHER • ZA)
DOI10.1080/02564718.2011.580649
OpenAlexW1987105734
LanguageEN
Citations received6
References cited4

In 2010, the 150th anniversary of the arrival of the first indentured labourers from India brought across the Indian Ocean – the kala pani – on the SS Truro in 1860, was marked in a variety of ways by the descendants of those original pioneers. One of the many letters to the press during last year asked whether cultural organisations should be “celebrating” or “commemorating” this anniversary given the harsh conditions under which indentured labour was carried out. This article picks up on this point – to “celebrate” or “commemorate”? – by seeking to assess how the topic of indenture is handled in the local press and also in fictional works of selected contemporary South African writers of Indian descent; for example, Neelan Govender's Girrmit Tales (2008), Rubendra Govender's Sugar Cane Boy (2008), Aziz Hassim's Revenge of Kali (2009) among others. These titles are all recent additions to what could be called a South African plantation literature which is flourishing at present in local writing circles, given perhaps the 150th anniversary mentioned above, but also given a coming of age for South African Indian fiction post apartheid

African descent · Art · Ethnology · Flourishing · Literature · Sociology · African history and culture studies · History · Postcolonial and Cultural Literary Studies · Psychology · South African History and Culture

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