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ID20156033
AuthorsRita Wilson (0000-0002-3581-0535, University of the Witwatersrand, corresponding author)
Year1998
Volume14
Issue3-4
Pages253-269
Publication date1998-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Literary Studies (JOURNAL)
Journal identifiersISSN: 0256-4718 • E-ISSN: 1753-5387
PublisherUnisa Press (PUBLISHER • ZA)
DOI10.1080/02564719808530202
OpenAlexW2065388197
LanguageEN
References cited11

For many contemporary women writers, the impulse to narrate is both natural and inescapable. Often their writing attempts to find “a solution to a problem of general human concern, namely the problem of how to translate knowing into telling, the problem of fashioning human experience into a form assimilable to structures of meaning that are generally human rather than culture‐specific” (White 1987: 1). This paper examines the novels of Rosetta Loy and attempts to show how public “history” has insinuated itself into her individualistic re‐evocations of the past. In the asphyxia of inner experience, Loy is able to explore more deeply what is “subjective” and what is “objective”, creating vibrant portraits of contemporary reality which transcend the regional context in which they are located. Particularly interesting is her representation of “negative” and “positive” time. The latter is a movement in the direction of “creative evolution”, time as the begetter of all things, the permanent possibility of creation. Temporal progression is thus identified with human progress. Yet, chronological time also carries humanity inexorably towards death. And it is in this unresolved interplay of positive progress and negative transitoriness that Loy's narratives reveal what is denied or marginalised in public histories

Aesthetics · Art · Art history · Epistemology · Humanity · Individualism · Literature · Narrative · Political science · Politics · Portrait · Sociology · Contemporary Literature and Criticism · History · Law · Philosophy · Short Stories in Global Literature

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    Carol Lazzaro-Weis•From Margins to Mainstream•1993

  • The Content of the Form

    Hayden White•Content of the Form•1990

  • Fantasy

    Rosemary Jackson•Fantasy•2013

  • The Book of Disquietude

    George Monteiro, Fernando Pessoa et al.•Hispania•1993

  • The portrayal of the Second World War in the early works of Francesca Duranti and Rosetta Loy

    Shirley W Vinall•The Italianist•1995

  • Telling it Like it Was

    Andrew P Norman, Andrew Norman•History and Theory•1991

  • History and the Contemporary Novel

    Robert F Kiernan, David Cowart•American Literature•1989

  • Women's Time

    Julia Kristeva, Alice Jardine et al.•Signs: Journal of Women in…•1981

Citation velocityhistorical
Highly citedNo

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