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Representing the South African Landscape

Coetzee, Kentridge, and the Ecocritical Enterprise

Bibliographic Data

ID20156052
AuthorsCobi Labuscagne (corresponding author)
Year2007
Volume23
Issue4
Pages432-443
Publication date2007-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Literary Studies (JOURNAL)
Journal identifiersISSN: 0256-4718 • E-ISSN: 1753-5387
PublisherUnisa Press (PUBLISHER • ZA)
DOI10.1080/02564710701786475
OpenAlexW1985983662
LanguageEN
Citations received3
References cited3

South African artist William Kentridge's Soho Series takes place inside a representation of a Johannesburg mine-landscape. It is a post-industrial and postcolonial landscape of exploitation both of the citizens of the country and of the natural environment. This article considers how the representation of the South African landscape by Kentridge can be seen as part of a continuum of landscape representation in South Africa originating from an initial “wilderness” encounter of a stranger with a new environment. The article traces the movement of landscape representation from those moments when writers and painters, schooled in a particular tradition of representational practices, find themselves forced to create new ways of representing the environment in which they find themselves to a contemporary moment where Kentridge's engagement with landscape representations can be seen as both ecocritical and environmentalist

Aesthetics · Archaeology · Art · Art history · Cultural landscape · Environmental ethics · Environmental resource management · Geography · Landscape design · Landscape painting · Painting · Political science · Sociology · Wilderness · Archaeology and Rock Art Studies · Ecocriticism and Environmental Literature · Environmental Science · History · Law · Philosophy · South African History and Culture · Ecology

  • La articulación de la memoria histórica en Drawings for projection, de William Kentridge

    Open Access•Cristina Manzano Espinosa•Fotocinema Revista científica de…•2020

  • South Africa

    Open Access•Crystal Warren•The Journal of Commonwealth…•2021

  • Conflicts between context and content inWilliam Kentridge

    Samantha Mcculloch, Christopher Williams-Wynn•Museum Management and Curatorship•2015

  • Landscape and ideology

    Ann Bermingham•Landscape and ideology•1986

  • Ecocriticism

    Greg Garrard•Ecocriticism•2004

  • Landscape and Western Art

    Open Access•Roger Balm, Malcolm Andrews•Geographical Review•2000

Unique citing works3
Citations per year0,13
Citation span2003 - 2020 (18)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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