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Media and development

The politics of framing gender struggles in the postcolonial zimbabwean shona films

Datos Bibliográficos

ID20156124
AutoresUrther Rwafa (Midlands State University, autor de correspondencia)
Año2011
Volumen27
Número3
Páginas39-55
Fecha de publicación2011-09-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaJournal of Literary Studies (JOURNAL)
Identificadores de la revistaISSN: 0256-4718 • E-ISSN: 1753-5387
EditorialUnisa Press (PUBLISHER • ZA)
DOI10.1080/02564718.2011.614401
OpenAlexW2033273180
IdiomaEN
Referencias citadas7

To frame gender struggles is to set an agenda on what people should think about it in respect of the contradictory roles that men and women play in society and culture. In this article, three films in the Shona language – Mwanasikana (1995), Kapfupi (2009) and Nhasi tave nehama (1993) have been sampled out to explore gender struggles inherent in the Zimbabwean society. The premise of this article is rooted in the ideological doubleness of the word framing as both restrictive as well as an instrument for liberation. Framing gender in the discourses of these three films calls attention to perceiving gender struggles in certain ways and in the process manifesting as far as possible the buried narratives that are otherwise obscured in manipulated forms of representing life. It is the duty of film critics to retrieve these silenced and “other” readings because of their potential to suggest to the audiences some alternative opinions and reactions. I advance in this article that while a frame can impose what should be thought about, it does not necessarily dictate how audiences interpret its text(s). This dialectical relation of framing implied in the restriction-liberating dimension of a frame, that emerges as it were from the struggle of verbal and visual images inside a frame's boundaries, actually can predispose audiences to want to delve for alternative images of how men and women are depicted in the Shona film

Aesthetics · Dialectic · Epistemology · Linguistics · Narrative · Political science · Politics · Premise · Shona · Sociology · African history and culture studies · African Sexualities and LGBTQ+ Issues · African studies and sociopolitical issues · Gender Studies · History · Law · Philosophy

  • Frame analysis

    Erving Goffman, José Luis Rodríguez•Frame Analysis•1986

  • Lyrical film

    Urther Rwafa•Muziki•2008

  • Theatre Semiotics

    Fernando De Toro, Mario Valdes•Theatre Semiotics•1995

  • Screen/Play

    Akira Mizuta Lippit, Peter Brunette et al.•Modern Language Notes•1990

  • Audience—Citizens

    Ramaswami Harindranath•Audience—Citizens•2009

Velocidad de citaciónhistorical
Altamente citadoNo
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