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The Self-Invention of Hugh Masekela

Bibliographic Data

ID20156147
AuthorsSam Raditlhalo (corresponding author)
Year2009
Volume25
Issue1
Pages34-52
Publication date2009-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Literary Studies (JOURNAL)
Journal identifiersISSN: 0256-4718 • E-ISSN: 1753-5387
PublisherUnisa Press (PUBLISHER • ZA)
DOI10.1080/02564710802261766
OpenAlexW2042871547
LanguageEN
Citations received3
References cited10

This article examines the self-invention of Hugh Masekela as a troubadour of music and the frames through which the construction of the memory process is allowed to unfold. It argues that unlike straightforward resistance autobiography, Masekela's Still Grazing (2004) is an odd mixture of resistance autobiography, minstrel selfinvention, skollie impishness and the internationalisation of his self. This odd mixture hides as much as it reveals about the subject intent on an ongoing process of selfinvention. The text abounds with the celebration of Eros, debauchery and discursive manoeuvres of the exilic condition. In the process, the idea of national identity and crises is subsumed by the skollie metaphor to distance hideous episodes, which it craftily records and rationalises. In the true fashion of the skollie framing, the autobiography ends on a note of reform, borne by a serious confessional mode for past indiscretions and yet another reinvention frame as survivor of the ravages of time

Aesthetics · Archaeology · Art · Biography · Confessional · Linguistics · Literature · Metaphor · Novella · Political science · Politics · Sociology · Cultural Identity and Heritage · History · Law · Memory, Trauma, and Commemoration · North African History and Literature · Philosophy

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Unique citing works3
Citations per year0,18
Citation span2009 - 2011 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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