Subversive strategies
Fictional alternatives by women writers
Bibliographic Data
| ID | 20156290 |
|---|---|
| Authors | Pamela Ryan (University of South Africa, corresponding author) |
| Year | 1988 |
| Volume | 4 |
| Issue | 1 |
| Pages | 86-103 |
| Publication date | 1988-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Literary Studies (JOURNAL) |
| Journal identifiers | ISSN: 0256-4718 • E-ISSN: 1753-5387 |
| Publisher | Unisa Press (PUBLISHER • ZA) |
| DOI | 10.1080/02564718808529854 |
| OpenAlex | W2027034601 |
| Language | EN |
| References cited | 14 |
This article explores the ways in which certain recent texts by women writers construct oppositional strategies to the conventional depiction of gender in narrative. These texts are examined as acts of revision and, more radically, of subversion. The focus is on the way certain writers in the twentieth century revise prevailing paradigms, in particular, the paradigm of heterosexuality which has traditionally been the central relationship informing the conventional novel. In searching for new ways of presenting fiction that undermine the romantic closure of novels ending in marriage or death, women writers are following new directions in fiction
Aesthetics · Art · Depiction · Literature · Narrative · Political science · Politics · Romance · Sociology · Subversion · Computer Science · Feminism, Gender, and Sexuality Studies · Gender Studies · Gender, Feminism, and Media · History · Law · LGBTQ Health, Identity, and Policy
Writing beyond the ending
Sexual/textual politics
Ce sexe qui n'en est pas un
The Critical Difference
Compulsory Heterosexuality and Lesbian Existence (1980)
Is ‘Chloe liked Olivia’ a lesbian plot
Homosexualities and French Literature
Is Female to Male as Nature is to Culture
What Has Never Been
(Re)Writing the Body
(E)Merging Identities
Compulsory Heterosexuality and Lesbian Existence
Historical Amnesia and the Lesbian Continuum
The Laugh of the Medusa
| Citation velocity | historical |
|---|---|
| Highly cited | No |