Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Bollywood Cinema

A Transnational/Cultural Role

Bibliographic Data

ID20156347
AuthorsAsma Ayob (University of South Africa, corresponding author), Marisa Keuris (0000-0001-7483-9958, University of South Africa)
Year2017
Volume33
Issue2
Pages35-58
Publication date2017-04-03
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Literary Studies (JOURNAL)
Journal identifiersISSN: 0256-4718 • E-ISSN: 1753-5387
PublisherUnisa Press (PUBLISHER • ZA)
DOI10.1080/02564718.2017.1334863
OpenAlexW2735382262
LanguageEN
Citations received2
References cited29

There has always been a strong link between India's social and political history and Bollywood cinema. Within the context of the nationalist movement in India, Bollywood cinema has played an important role in constructing various dichotomies such as tradition/modernity, Indian/Western and spiritual/material. By negotiating with these binaries, Bollywood narratives have contributed to the dialogue on women's roles and position in Indian society. In the past, Bollywood filmmakers were faithful to representations of women who were bound by patriarchal structures in the sense that they were expected to be loyal to ancient Indian traditions and belief-systems. Based on the increase in Indian migration, contemporary Bollywood filmmakers are now catering to the demands of the Indian diaspora and therefore, a more global market. Diasporic Bollywood films provide audiences with material that suggests re-thinking patriarchal structures in a transnational world. This article examines the impact that transnationalism has had on the Indian diaspora and the manner in which this translates into the narratives and representations of female characters in popular Bollywood films. Through the progression of time, Bollywood cinema has evolved. As a result, it has become a transnational/cultural role player for Indian audiences worldwide

Art · Art history · Diaspora · Indian nationalism · Literature · Media studies · Modernity · Movie theater · Narrative · Nationalism · Political science · Politics · Sociology · Transnationalism · Gender Studies · History · Law · Socioeconomic Development in Asia · South Asian Cinema and Culture · South Asian Studies and Diaspora

  • Resistance through stillness and silence in Indian independent cinema

    Open Access•Sanjay Surin•Interventions•2026

  • Culture and identity in New Nollywood films

    Aifuwa Edosomwan, Uzoma Okoro•Journal of African Cinemas•2024

  • Bollywood

    Tejaswini Ganti, Derek Bose•Bollywood unplugged•2004

  • Beyond Bollywood

    Jigna Desai•Beyond Bollywood•2004

  • Mobilizing India

    Tejaswini Niranjana•Mobilizing India•2006

  • The Nation and Its Fragments

    Partha Chatterjee•Nation and Its Fragments•1994

  • An “Arranged Love” Marriage

    Open Access•Jyotsna Kapur•Communication Culture and Critique•2009

  • I Need an Indian Touch”

    Shakuntala Rao•Journal of International and…•2010

  • The ‘Nation’ in Indian Cinema

    Open Access•Sharmistha Gooptu•History Compass•2011

  • Nostalgia, Identity and Tourism

    R Bandyopadhyay•Journal of Tourism and Cultural…•2008

  • Dreaming the Nation

    Sheena Malhotra, Tavishi Alagh•South Asian Popular Culture•2004

  • The 'Bollywoodization' of the Indian cinema

    Ashish Rajadhyaksha•Inter-Asia Cultural Studies•2003

  • Bollywood in the Indian-American diaspora

    Open Access•Aswin Punathambekar•International Journal of Cultural…•2005

  • Brides Who Travel

    Purnima Mankekar•positions asia critique•1999

  • Asserting nationalism in a cosmopolitan world

    Peter C Pugsley, Khorana•Continuum•2011

  • Imagined spaces

    Kai-Ti Kao, Rebecca-Anne Do Rozario•Continuum•2008

  • Framing the Feminine

    Anjali Ram•Women s Studies in Communication•2002

  • Tagore's women

    Linda Hemphill•South Asia Journal of South Asian…•1998

  • Feminist Consciousness in Woman‐Centered Hindi Films

    Open Access•Shamita Das Dasgupta•The Journal of Popular Culture•1996

  • Bollywood's India

    Rachel Dwyer•Asian Affairs•2010

  • The diaspora comes home

    Open Access•Patricia Uberoi•Contributions to Indian Sociology•1998

  • My Heart's Indian for All That

    Anthony C Alessandrini•Diaspora A Journal of Transnational…•2001

  • Is there no place like home

    Open Access•Christiane Brosius, Nicolas Yazgi•Contributions to Indian Sociology•2007

  • Sentiments of Disdain and Practices of Distinction

    Tejaswini Ganti•Anthropological Quarterly•2012

  • On the origin of the Komedie Stamboel. Popular culture, colonial society, and the Parsi theatre movement

    Open Access•Matthew Isaac Cohen•Bijdragen tot de taal- land- en…•2001

  • Cosmopolitanism, Remediation, and the Ghost World of Bollywood

    Open Access•David Novák•Cultural Anthropology•2010

Unique citing works2
Citations per year1
Citation span2024 - 2026 (3)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOISci-HubOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae