Bollywood Cinema
A Transnational/Cultural Role
Bibliographic Data
| ID | 20156347 |
|---|---|
| Authors | Asma Ayob (University of South Africa, corresponding author), Marisa Keuris (0000-0001-7483-9958, University of South Africa) |
| Year | 2017 |
| Volume | 33 |
| Issue | 2 |
| Pages | 35-58 |
| Publication date | 2017-04-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Literary Studies (JOURNAL) |
| Journal identifiers | ISSN: 0256-4718 • E-ISSN: 1753-5387 |
| Publisher | Unisa Press (PUBLISHER • ZA) |
| DOI | 10.1080/02564718.2017.1334863 |
| OpenAlex | W2735382262 |
| Language | EN |
| Citations received | 2 |
| References cited | 29 |
There has always been a strong link between India's social and political history and Bollywood cinema. Within the context of the nationalist movement in India, Bollywood cinema has played an important role in constructing various dichotomies such as tradition/modernity, Indian/Western and spiritual/material. By negotiating with these binaries, Bollywood narratives have contributed to the dialogue on women's roles and position in Indian society. In the past, Bollywood filmmakers were faithful to representations of women who were bound by patriarchal structures in the sense that they were expected to be loyal to ancient Indian traditions and belief-systems. Based on the increase in Indian migration, contemporary Bollywood filmmakers are now catering to the demands of the Indian diaspora and therefore, a more global market. Diasporic Bollywood films provide audiences with material that suggests re-thinking patriarchal structures in a transnational world. This article examines the impact that transnationalism has had on the Indian diaspora and the manner in which this translates into the narratives and representations of female characters in popular Bollywood films. Through the progression of time, Bollywood cinema has evolved. As a result, it has become a transnational/cultural role player for Indian audiences worldwide
Art · Art history · Diaspora · Indian nationalism · Literature · Media studies · Modernity · Movie theater · Narrative · Nationalism · Political science · Politics · Sociology · Transnationalism · Gender Studies · History · Law · Socioeconomic Development in Asia · South Asian Cinema and Culture · South Asian Studies and Diaspora
Bollywood
Beyond Bollywood
Mobilizing India
The Nation and Its Fragments
An “Arranged Love” Marriage
I Need an Indian Touch”
The ‘Nation’ in Indian Cinema
Nostalgia, Identity and Tourism
Dreaming the Nation
The 'Bollywoodization' of the Indian cinema
Bollywood in the Indian-American diaspora
Brides Who Travel
Asserting nationalism in a cosmopolitan world
Imagined spaces
Framing the Feminine
Tagore's women
Feminist Consciousness in Woman‐Centered Hindi Films
Bollywood's India
The diaspora comes home
My Heart's Indian for All That
Is there no place like home
Sentiments of Disdain and Practices of Distinction
On the origin of the Komedie Stamboel. Popular culture, colonial society, and the Parsi theatre movement
Cosmopolitanism, Remediation, and the Ghost World of Bollywood
| Unique citing works | 2 |
|---|---|
| Citations per year | 1 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 1 |