Magrita Prinslo (1896), Magdalena Retief (1938) and Mies Julie (2012)
From Historical Afrikaner Mothers of the Nation to a Modern Afrikaner meisie (Girl)
Datos Bibliográficos
| ID | 20156495 |
|---|---|
| Autores | Marisa Keuris (0000-0001-7483-9958, University of South Australia, autor de correspondencia) |
| Año | 2019 |
| Volumen | 35 |
| Número | 3 |
| Páginas | 65-79 |
| Fecha de publicación | 2019-07-03 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal of Literary Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 0256-4718 • E-ISSN: 1753-5387 |
| Editorial | Unisa Press (PUBLISHER • ZA) |
| DOI | 10.1080/02564718.2019.1657283 |
| OpenAlex | W2980593844 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 9 |
IntroductionThe focus in this article is a postcolonial reading of Yael Farber's 2012 adaptation (Mies Julie) of Strindberg's Miss Julie (1888) through the lens of the Mother of the Nation concept (Volksmoederkonsep) as situated within Afrikaner nationalist ideology. Strindberg's Miss Julie has been adapted numerous times (apparently more than twenty times) and often through re-imagings of the original play's issues in regards of gender, power and social class. More recent adaptations include Patrick Marber's reworking of the play, entitled After Miss Julie in 2009 and a 2012 Chinese opera version directed by Ravel Luo
Girl · Ideology · Nationalism · Politics · Sociology · Gender Studies · History · Law · Philippine History and Culture · Philosophy · Postcolonial and Cultural Literary Studies · Psychology · Theatre and Performance Studies
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,04 |
| Intervalo de citas | 2003 - 2003 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |