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Spieël, kamer van spieëls

Oor Postmodernisme en representasie

Bibliographic Data

ID20156502
AuthorsHein Viljoen (Literaturarchiv, corresponding author)
Year1988
Volume4
Issue4
Pages417-426
Publication date1988-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Literary Studies (JOURNAL)
Journal identifiersISSN: 0256-4718 • E-ISSN: 1753-5387
PublisherUnisa Press (PUBLISHER • ZA)
DOI10.1080/02564718808529886
OpenAlexW2133966985
LanguageEN
References cited6

This essay tries to define representation in Postmodern texts, departing from the central metaphor of the mirror and the idea of art being a mirror image of nature. Postmodernism has replaced nature by a hyperreality, a procession of simulacra. Representation is, however, extremely ambivalent, oscillating between discovering an essence and obscuring the Truth. Derrida (1982) analyzes representation as the move whereby the Original Full Being sends out its lieutenants or delegates. Representation is thus secondary, a derivation of the real. By emphasizing their representational status postmodern texts exacerbate this problematic or deny its validity. Derrida sharply criticizes the view that representations are secondary, because a thing can only be conceptualized in a frame of reference and “pure” experience presupposes iterability. Does a postmodern text like Dan Roodt's Sonneskyn en Chevrolet (Sunshine and Chevrolet) then “say” anything, discover any essence? An analysis of different representations and commentaries on representation in this text show that it can be read as a critique of the unfettered production of representations and of the production of subjectivity by subjecting a series of victims

Aesthetics · Art · Epistemology · Linguistics · Literature · Metaphor · Politics · Postmodernism · Procession · Sociology · Subjectivity · Theology · Hermeneutics and Narrative Identity · Law · Literature and Cultural Memory · Narrative Theory and Analysis · Philosophy

  • Art after modernism

    Brian Wallis•Art after modernism•1984

  • The pornography of representation

    Susanne Kappeler•The pornography of representation•1986

  • Literary History, Modernism, and Postmodernism

    Douwe Fokkema, Douwe W Fokkema•Poetics Today•1985

  • The Postmodern Condition

    Jean-François Lyotard, Geoff Bennington et al.•1984

  • Making Sense

    Ihab Hassan•New Literary History•1987

Citation velocityhistorical
Highly citedNo

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