Tyd in die dramateks en in die opvoering
Bibliographic Data
| ID | 20156566 |
|---|---|
| Authors | Marisa Mouton (corresponding author) |
| Year | 1987 |
| Volume | 3 |
| Issue | 4 |
| Pages | 14-22 |
| Publication date | 1987-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Literary Studies (JOURNAL) |
| Journal identifiers | ISSN: 0256-4718 • E-ISSN: 1753-5387 |
| Publisher | Unisa Press (PUBLISHER • ZA) |
| DOI | 10.1080/02564718708529838 |
| OpenAlex | W2045595976 |
| Language | EN |
| References cited | 5 |
A study of dramatic time (in the text and in the performance) is undertaken by means of a discussion of the following remarks, namely (a) that dramatic time is always present time, (b) that we should distinguish in the performance between the timespan of the performance and the represented fictional time given in the performance, and in the dramatic text between reading time and the fictional time of the drama world; (c) that time influences and structures the dramatic events (sequence and tempo); (d) that time is often indicated chronologically (clock‐time), although the dramatis personae often experience time subjectively
Art · Drama · Linguistics · Literature · Time sequence · Computer Science · Hermeneutics and Narrative Identity · History · Language, Metaphor, and Cognition · Narrative Theory and Analysis · Philosophy · Artificial Intelligence
| Citation velocity | historical |
|---|---|
| Highly cited | No |