Materialities of Text

The cultural authority of the codex form of the book appears to be in a process of displacement ensuing from the rise of on-line digital media. The traditional material structures of the book--its physical forms and its institutional forms of production, circulation, and preservation--are often seen as being subject to dematerialisation; evaporating in the transitory appearances of the digital screen and in the proliferation of new systems of production. However, this issue of New Formations makes the case that the present historical juncture should be understood as a mixed media milieu, in which traditional and digital forms of writing and publishing coalesce and conflict in a complex array of textual materialities. Such materialities of text are at once sites of political and aesthetic experimentation, and of intense capitalization, intersecting features which are approached in the articles collected here through a broad range of theoretical and empirical themes: diagrammatic writing; the material reading formations of a best-seller novel; grey literature in the institutions of cultural studies; Black Twitter; the politics of Open Access and the artists' book; digital humanities and its political problematics; the bibliopolitics of the passport; and the political and aesthetic forms of independent publishing. New Formations has faced its own dilemmas in recent years around the politics of publishing and its materiality. Even during the relatively brief tenure of the current editorship, the nature of academic publishing has changed radically. Five years ago, the journal was still primarily a paper product; today only a tiny proportion of its readership will ever hold a bound and printed copy of the journal in their hands. This is in part because digitisation has made possible a very significant increase in readership, especially outside the UK, but it also because the key mode of distribution for scholarly journals has decisively changed: the vast majority of our readers now access the journal digitally, primarily through the vast bundles of electronic journal subscriptions that university libraries purchase from aggregators such as ebsco. Although this vastly increases the reach of the journal, it also massively decreases the effective income-per-subscription earned by the publisher. New Formations is an almost unique position for a British scholarly journal, in that it is neither wholly self-published, like the much-admired Radical Philosophy, nor the property of one of the large international publishing conglomerates. Our publisher, Lawrence & Wishart is one of the last remaining, and possibly now the oldest, independent progressive publisher in the UK, responsible for the dissemination of large parts of the work of writers such as Marx and Gramsci, among others; and university library subscriptions to the journal remain an important income-stream for them. As such, our obvious desire continually to expand the availability of the journal must always be balanced with the need to try to protect this important source of revenue for a great radical institution

Geometry · Humanities · Sociology · Digital Humanities and Scholarship · Mathematics · Philosophy

• Revenge pornography and manhood acts

  Matthew Hall, J Hearn•Journal of Gender Studies•2019

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• ‘This is my cheating ex’

  Open Access•J Hearn, M Hall•Sexualities•2019

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