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Community Museums as Holding Centres for Returned Nigerian Cultural Heritage

Bibliographic Data

ID20205998
AuthorsJoshua Okenwa Uzuegbu (0000-0003-0311-7442), Aishat Halilu, Abiola Opemipo Tella (0000-0001-5958-1776, University of Nigeria)
Year2024
Volume28
Issue2
Pages175-187
Publication date2024-05-20
Open AccessYes
TypeARTICLE
VenueTrames Journal of the Humanities and Social Sciences (JOURNAL)
Journal identifiersISSN: 1406-0922 • E-ISSN: 1736-7514
PublisherEstonian Academy Publishers (PUBLISHER • EE)
DOI10.3176/tr.2024.2.05
OpenAlexW4398151600
LanguageEN
References cited6

Looting and trafficking of cultural heritage in the areas known today as Nigeria started during the exploration and expansion of British territories in Africa. Missionaries, military officers, traders and anthropologists were notorious for their involvement in the illegal expropriation of artefacts. After the independence, looting of Nigeriaâ s cultural heritage continued in museums, palaces, shrines and other sacred places. However, in recent years, several people and institutions have campaigned for the return of artefacts to their original owners. Consequently, there was a return of two ancient Benin bronze artefacts; a cockerel (Okukor) and UhunwunElao (Oba head) by the Jesuit College of Cambridge University and the University of Aberdeen, Scotland. This however,sparked a row as to who should take custody of the artefacts between Edo State Government and the Benin Royal Palace. This papersuggests that the Benin Royal Palace and other royal houses in Nigeria are custodiansof the peoplesâ culture and should keep the artefacts and others that may be returned in future in a community museum. This study was carried out through documentary research approach. Relevant information was sourced in reports, books, monographs, newspapers, magazines, academic theses and internet sources, in order to have a comprehensive review of the previous reports on stolen and returned artefacts

Archaeology · Art · Cultural heritage · Cultural institution · Media studies · Sociology · Visual arts · Cultural Heritage Management and Preservation · Cultural Industries and Urban Development · History · Museology · Museums and Cultural Heritage

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    Open Access•Caleb Adebayo Folorunso•Heritage•2021

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Highly citedNo

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