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Intellectual Occupation and Collaborationism in the Cultural Life of Estonia

Reflected in the Epistolary Communication Between Tuudur Vettik and Roland Laasmäe; Pp. 3–34

Bibliographic Data

ID20206099
AuthorsLaine Randjärv
Year2013
Volume17
Issue1
Pages3-34
Publication date2013-02-20
Open AccessYes
TypeARTICLE
VenueTrames Journal of the Humanities and Social Sciences (JOURNAL)
Journal identifiersISSN: 1406-0922 • E-ISSN: 1736-7514
PublisherEstonian Academy Publishers (PUBLISHER • EE)
DOI10.3176/tr.2013.1.01
OpenAlexW2019021025
LanguageEN
References cited8

This article analyses the concepts and phenomena of collaborationism and conformism in Estonia during the Soviet annexation. The focus is on cultural personalities and events connected to choir music and the Song Celebration Movement in 1940â 1985. An important source for studying this subject is the correspondence between two creative figures: Tuudur Vettik and Roland Laasmäe. This period in the Estonian Song Celebration history was marked by an ideological pressure from the Communist Party, and creative figures â poets, composers, choirmasters and bodies organising the Song Celebrations â largely depended on the attitude of party leaders and on cooperation with them to ensure their stable and calm day-to-day existence. Rebels could expect a whole range of repressions: imprisonment, deportation to Siberia, or local persecution and boycott. The article briefly delves into the history of the concept of collaborationism by describing its various nuances and periods; manifestations of the phenomenon are analysed in other fields beside the music. Comparison is made with the history of other West European states (incl. former socialist countries), and the experiences of the Baltic states during the period in question are also analysed

Sociology · Eastern European Communism and Reforms · European Cultural and National Identity · Historical Geopolitical and Social Dynamics · History

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Highly citedNo

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