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The Preparation of Renaissance

Dietrich of Freiberg, Meister Eckhart, Nicholas of Cusa; Pp. 265–303

Bibliographic Data

ID20206366
AuthorsRein Undusk
Year2014
Volume18
Issue3
Pages265-303
Publication date2014-08-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTrames Journal of the Humanities and Social Sciences (JOURNAL)
Journal identifiersISSN: 1406-0922 • E-ISSN: 1736-7514
PublisherEstonian Academy Publishers (PUBLISHER • EE)
DOI10.3176/tr.2014.3.04
OpenAlexW2064183385
LanguageEN
References cited20

The Renaissance can surely be called a great amalgam of diverse historical, cultural and philosophical impulses. Its outwardly impressive traits hide a pedigree of a confused and enigmatic nature that had combined the bulk of Christian, ancient and medieval motifs in their mutual interaction. The marks of the Renaissance are therefore ambiguous, allowing for explanations from differing or even contradictory positions. Focusing on German Dominican thinking of the later medieval period, the present article argues how some characteristics of the Renaissance can be deduced from the background of Albert the Great, Dietrich of Freiberg, and Meister Eckhart, and how they provided material for the symbiotic work in the person of Nicholas of Cusa

Art · Art history · Humanities · The Renaissance · Theology · Philosophy · Renaissance and Early Modern Studies · Renaissance Literature and Culture · Visual Culture and Art Theory

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