Playing Games with Death
Reflections on the Irish Wake
Bibliographic Data
| ID | 20207325 |
|---|---|
| Authors | Roger Grainger (Film Independent, corresponding author) |
| Year | 2011 |
| Volume | 14 |
| Issue | 1 |
| Pages | 93-98 |
| Publication date | 2011-05-25 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Implicit Religion (JOURNAL) |
| Journal identifiers | ISSN: 1463-9955 • E-ISSN: 1743-1697 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/imre.v14i1.93 |
| OpenAlex | W2159377762 |
| Language | EN |
The symbolism of chaos which emerges from the “amusements” around which traditional Irish funerals were organized brings home an essential truth about corporate rituals: that they serve to focus our awareness of a global truth embodied within an articulated gesture of human meaning. In the act which signifies a specific dying, a message about all human life is encapsulated. The funeral is seen as a communication about survival. Examples of this are given, and it is argued that the structure of such ceremonies reveals the underlying function of ritual itself. Corporate rites present us with a paradigm of the use of chaos to clear a way for new kinds of order. In their three-fold configuration, rites of passage reveal the need for genuine beginnings to be preceded by actual endings
Aesthetics · Embodied cognition · Epistemology · Gesture · Irish · Linguistics · Sociology · History · Irish and British Studies · Philosophy · Religious Studies and Spiritual Practices · Theatre and Performance Studies
| Highly cited | No |
|---|