Rehearsing Reality — pushing the boundaries of documentary viewing
Bibliographic Data
| ID | 20207686 |
|---|---|
| Authors | Udi Mandel Butler (University of Oxford, corresponding author) |
| Year | 2008 |
| Volume | 9 |
| Issue | 3 |
| Pages | 281-282 |
| Publication date | 2008-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Media Practice (JOURNAL) |
| Journal identifiers | ISSN: 1468-2753 • E-ISSN: 2040-0926 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1386/jmpr.9.3.281_4 |
| OpenAlex | W2028588013 |
| Language | EN |
A review of Rehearsing Reality, a project that creatively pushes the boundaries of the experience of documentary viewing. Nina Simões' audiovisual experiment, which she terms docufragmentary, takes John Grierson's original definition of the documentary as the ‘creative use of actuality’ and pushes this further to mean not only the creativity involved in producing the film but also in viewing it
Aesthetics · Art · Art history · Creativity · Documentary film · Rehearsing · Visual arts · Cinema and Media Studies · Psychology · Social Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |