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Seeing is believing

An ethnographer's encounter with television documentary production

Bibliographic Data

ID20207784
AuthorsRachel Robertson (0000-0001-9636-587X, corresponding author)
Year2003
Volume3
Issue2
Pages85-95
Publication date2003-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Media Practice (JOURNAL)
Journal identifiersISSN: 1468-2753 • E-ISSN: 2040-0926
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1386/jmpr.3.2.85
OpenAlexW2550745757
LanguageEN
Citations received1
References cited5

The subdiscipline of visual anthropology and, more specifically, ethnographic filmmaking, has always had a complex relationship with the broader field of television documentary production. Anthropological knowledge, approaches and expertise have frequently been used in the production of television documentaries, while many anthropologists have sought to use television as a way to engage a wider audience with their work. But as anthropologists have responded to the changing nature of the world around them, often making refugees, the homeless, celebrities and artists the subjects of their films, it no longer seems clear what distinguishes ethnographic film from much contemporary documentary television. In particular, the term ‘observational’ is often used to describe both kinds of film-making. My aim is to look critically at this term, and to clarify how, despite a superficial similarity, the approaches and techniques used in television documentary differ significantly from those of ethnographic film

Aesthetics · Art · Documentary film · Ethnography · Filmmaking · Media studies · Movie theater · Sociology · Television studies · Visual anthropology · Visual arts · Anthropological Studies and Insights · Anthropology · Cinema and Media Studies · Photography and Visual Culture

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  • Anthropology and the Crisis of the Intellectuals

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Unique citing works1
Citations per year0,1
Citation span2016 - 2016 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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