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Documentary as a statement

Defining old genre in a new age

Bibliographic Data

ID20207936
AuthorsNathan Smith (0000-0002-9837-9957, University of Otago), NATHAN J SMITH (0000-0002-5443-9962, University of Otago), Jim Rock (0000-0002-7417-608X, University of Otago), Jenny Rock (0000-0001-7250-6463, University of Otago, corresponding author)
Year2014
Volume15
Issue1
Pages58-62
Publication date2014-01-02
Open AccessNo
TypeARTICLE
VenueJournal of Media Practice (JOURNAL)
Journal identifiersISSN: 1468-2753 • E-ISSN: 2040-0926
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14682753.2014.892698
OpenAlexW2086149740
LanguageEN
Citations received4
References cited7

Current definitions of documentary struggle to parallel the ability of the viewer to easily demarcate documentary from fiction. This is because these definitions generally attempt to distinguish documentary from fictional films based on the premise that documentaries are factual representations of reality. Here we argue that the two genres can be more clearly defined by focusing on the intent of the communication by the producer, rather than the content of the communication. Specifically, documentary versus fictional films may be best distinguished by the fact that one is produced as a statement of fact while one is focused on the art of storytelling. Notably, a story and a statement differ in the extent to which the intention for how the communication is interpreted is predetermined. Thus, a documentary may be understood as a series of visually and/or audibly expressed statements connected by narrative, and communicated from the author/authors to the viewer with the intention that it be received as fact

Aesthetics · Art · Documentary evidence · Documentary film · Epistemology · Literature · Media studies · Narrative · Premise · Sociology · Storytelling · Visual arts · Cinema and Media Studies · History · Media Influence and Health · Philosophy · Video Analysis and Summarization

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    Open Access•Sara K Yeo, Joshua N Silberg•One Earth•2021

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    Iain Hay•Journal of Geography in Higher…•2017

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    Open Access•Rowland Chukwuemeka Amaefula•Tydskrif vir letterkunde•2024

  • The dissonant personas of a female celebrity

    Bronwyn Polaschek•Celebrity Studies•2018

  • Objectivity, Relativism, and Truth

    Open Access•Richard Rorty•Objectivity, Relativism, and…•1990

  • Documentary Film

    Matthew C Nisbet, Pat Aufderheide•Mass Communication & Society•2009

  • When is Fiction as Good as Fact? Comparing the Influence of Documentary and Historical Reenactment Films on Engagement, Affect, Issue Interest, and Learning

    Heather Lamarre, Kristen D Landreville•Mass Communication & Society•2009

  • An inconvenient truth

    Open Access•Devin Nordberg•Futures•2007

  • When Is a Documentary

    D Stanley Eitzen, Dirk Eitzen•Cinema Journal•1995

  • Cool and Crazy

    Toril Synnøve Jenssen, Toril Jenssen•Visual Anthropology•2005

Citations per year0.44
Citation span2017 - 2024 (8)
Highly citedNo

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