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Figurations of Returning to the Community in Léonora Miano’s African Novels

Bibliographic Data

ID20220458
AuthorsSusanne Goumegou (0000-0003-4076-514X, University of Tübingen), Louis Nana (University of Tübingen)
Year2023
Volume22
Issue2
Pages166-182
Publication date2023-12-30
Open AccessNo
TypeARTICLE
VenuePhilosophia Africana (JOURNAL)
Journal identifiersISSN: 1539-8250 • E-ISSN: 1944-7914
PublisherThe Pennsylvania State University Press (PUBLISHER)
DOI10.5325/philafri.22.2.0166
OpenAlexW4399774834
LanguageEN
References cited6

This article examines figurations of returning to the community in two of Léonora Miano’s novels. These novels offer an opportunity to broaden the notion of returning to community that, in philosophical debates, tends to be essentialist and abstract. In Les aubes écarlates and La saison de l’ombre, two clans find themselves confronted with the abduction of community members who become child soldiers or slaves. The physical or spiritual return of those abductees to their communities is at the core of the novels, and it is closely linked to questions of memory. Understanding the dynamics of return as a figuration—both in the literary sense and in Norbert Elias’s process sociology sense—helps us look at the concrete interactions that make up a community. This article analyzes the physical, mnemonic, and spiritual dimensions of returning to community and looks at the significance of inventing new rituals and forms of community

Ethnology · Sociology · African history and culture studies · Caribbean and African Literature and Culture · Gender Studies · History · Postcolonial and Cultural Literary Studies

  • Figuration

    Norbert Elias•Grundbegriffe der Soziologie.•1992

  • Léonora Miano. La Saison de l'ombre

    Florian Alix•Afrique contemporaine•2014

  • Ethics of resistance and fictional minds in Léonora Miano’s L’intérieur de la nuit and La saison de l’ombre

    Paul N Touré•International Journal of…•2017

Highly citedNo

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