Interlocutors, Nonhuman Actors, and the Ethics of Literary Signification
Bibliographic Data
| ID | 20248071 |
|---|---|
| Authors | Donald Wehrs (Auburn University, corresponding author) |
| Year | 2019 |
| Volume | 8 |
| Issue | 2 |
| Pages | 108 |
| Publication date | 2019-05-30 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2076-0787 • E-ISSN: 2076-0787 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/h8020108 |
| OpenAlex | W2947781397 |
| Language | EN |
| References cited | 39 |
Associating autonomy with art has long been viewed with suspicion, but autonomous signifying agency may be attributed to literary discourse without lapsing into decontextualized aestheticism or neoliberal conceptions of subjectivity. Through literary practices that “move” readers in a “singular” manner, a work becomes what Rita Felski, following Bruno Latour, calls a “nonhuman actor.” Such an actor, Felski observes, “modifies a state of affairs by making a difference,” participating “in chains of events” so as to “help shape outcomes and influence events” (2015, pp. 163–64). Autonomous signifying agency within works and literary discourse more broadly enables them to become actors within what Latour terms “networks of associations” through which “the social” is constantly “reassembled.” But literary works also act as interlocutors, in the sense Levinas gives the word (1996a, pp. 2–10). Though not full-fledged ethical others, they nonetheless, as interlocutors, are sufficiently invested with the attributes and agency of ethical others to be their extensions or ambassadors. Nonhuman, interlocutory literary agency may be explored in iconic passages of ancient literature—Telemachus’ recognition that he is being visited by a god (Odyssey Book 1: ll. 319–24) and Judah’s recognition that Tamar is more “righteous” than he (Gen. 38: 26). In being authoritative but not authoritarian, literary discourse becomes a potently autonomous actor within the networks of associations in which it participates
Aesthetics · Art · Autonomy · Epistemology · Literature · Political science · Sociology · Subjectivity · Digital Media and Philosophy · Geographies of human-animal interactions · Law · Philosophy · Philosophy, Ethics, and Existentialism
The Chimpanzees of the Taï Forest
The Act of Reading
The Ethical Project
The Limits of Critique
Becoming Human
Being No One
Experiencing Narrative Worlds
Good Natured
The Feeling Body
A higher-order theory of emotional consciousness
The Evolution of Reciprocal Altruism
The Creation of Inequality
The Origin and Evolution of Cultures
Hierarchy in the Forest
A Natural History of Human Thinking
Reassembling the Social
A Natural History of Human Morality
The psychology of cooperation
Origins and Diversity of Axial Age Civilizations, The
Birth of the Symbol
Allegorical Readers and Cultural Revision in Ancient Alexandria
| Highly cited | No |
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