A Thousand Concepts and the Participating Body
Concept Play Workshops at Kunsthall 3,14
Datos Bibliográficos
| ID | 20248098 |
|---|---|
| Autores | Heidi Marjaana Kukkonen (Kunsthall 3,14, 5014 Bergen, Norway, autor de correspondencia) |
| Año | 2024 |
| Volumen | 13 |
| Número | 1 |
| Páginas | 11 |
| Fecha de publicación | 2024-01-08 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Humanities (JOURNAL) |
| Identificadores de la revista | ISSN: 2076-0787 • E-ISSN: 2076-0787 |
| Editorial | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/h13010011 |
| OpenAlex | W4390733548 |
| Idioma | EN |
| Referencias citadas | 33 |
Participation has become the keyword in museum and gallery education during the past decades. However, the focus on participation might contain neoliberalist tendencies, creating more entertainment and consumerism than art. In this study based on practice-based research, I explore a gallery educational method to mediate contemporary art to primary and high school students inspired by Gilles Deleuze and Félix Guattari’s process philosophy and new materialist theory–practice. What kind of roles can the method of Concept Play Workshop create for the participating body and how can it challenge neoliberal tendencies in museum and gallery education? In the workshops, children and young people create philosophical concepts with contemporary art, dialogue-based practices and artistic experiments in the exhibition space of Kunsthall 3,14 in Bergen, Norway. I argue that the method can create philosophizing, critical, uncomfortable, resting, dictatorial and protesting bodies. Representational logic becomes challenged, and discomfort and resistance become educational potential. The method creates multiple and overlapping roles for the participating body, shifting the focus towards multiplicities instead of the passive/active binary. Humans are not the only participating bodies, but attention is given to agential matter, contesting human-centeredness. The study is a contribution to the field of post-approaches in gallery and museum education
Aesthetics · Art · Art history · Consumerism · Contemporary art · Entertainment · Epistemology · Exhibition · Materialism · Political science · Sociology · Visual arts · Art Education and Development · Museums and Cultural Heritage · Participatory Visual Research Methods · Philosophy
Art Encounters Deleuze and Guattari
New Materialism
Zoom in on Dry Joy—Dissensus, Agonism and Democracy in Art Education
The Great Awakening
Posthumanist Performativity
Philosophy of Time
Producing and Using Video Data in the Early Years
Young children’s museum geographies
Playing and affective time-spaces
Vibrancy, repetition and movement
Doing Dis/ordered Mappings
Neoliberalism and education
Teaching and Learning with Matter
Challenging anthropocentric analysis of visual data
The Cultural Logic of the Late Capitalist Museum
A performative paradigm for post-qualitative inquiry
Post Qualitative Inquiry in an Ontology of Immanence
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |