A Post-Colonial Ontology? Tim Winton’s The Riders and the Challenge to White-Settler Identity
Bibliographic Data
| ID | 20248262 |
|---|---|
| Authors | Lyn Mccredden (0000-0003-3956-0964, Deakin University, corresponding author) |
| Year | 2020 |
| Volume | 9 |
| Issue | 3 |
| Pages | 95 |
| Publication date | 2020-08-28 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2076-0787 • E-ISSN: 2076-0787 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/h9030095 |
| OpenAlex | W3080239841 |
| Language | EN |
| References cited | 4 |
Through a reading of Australian non-Indigenous author Tim Winton and his novel The Riders, this essay seeks to shake to the very roots white-settler understandings of identity and belonging. The essay treads respectfully into the field of Australian identity, recognizing that Indigenous people’s ancient and sacred relationship with country and the formation of treaties with the nation, are now rightfully central on national agendas. However, this essay asks the following question: what are the ontological grounds upon which respectful dialogue between Indigenous and non-Indigenous Australians might occur, after such violent and traumatic history? The essay explores the possible grounds for an evolving dialogue, one which will be necessarily intersectional: (post)colonial, spiritual/ontological and material. Further, the essay identifies “spirituality” and “ontology” as broad denominators for religion, speculating on a (post)colonial ontology which centers on home and (un)belonging. White-settler Australians, this essay argues, must confront deep ontological issues of brokenness if they are to take part meaningfully in future dialogues. Scully, the protagonist of The Riders, finds himself far from home and stripped of almost all the markers of his former identity: as Australian, as husband, and as a man in control of his life. The novel probes (un)belonging for this individual descendent of colonial Australia, as trauma engulfs him. Further, it will be argued that The Riders prefigures the wider, potentially positive aspects of a post-colonial ontology of (un)belonging, as white-settler Australians come to enunciate a broken history, and ontological instability. Such recognition, this essay argues, is a preliminary step towards a fuller post-colonial dialogue in Australia
Aesthetics · Colonialism · Indigenous · Ontological security · Political science · Social science · Sociology · Spirituality · Anthropological Studies and Insights · Caribbean history, culture, and politics · Gender Studies · History · Law · Philosophy · Postcolonial and Cultural Literary Studies
| Highly cited | No |
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