“Time is Production”
Process-Art, and Aesthetic Time in Paul Valéry’s Cahiers
Bibliographic Data
| ID | 20248294 |
|---|---|
| Authors | Bedirhan Ustun (0000-0003-4718-505X, Binghamton University, corresponding author), Berkay Ustun |
| Year | 2018 |
| Volume | 7 |
| Issue | 1 |
| Pages | 4 |
| Publication date | 2018-01-05 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2076-0787 • E-ISSN: 2076-0787 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/h7010004 |
| OpenAlex | W2782950090 |
| Language | EN |
| References cited | 6 |
This paper offers a contextually inflected discussion of the extensive investment Paul Valéry makes in going beyond formal understandings of time. To this end it takes the processual work Cahiers as both a repository of insights, and a practical motor of conceptual creation for new time concepts through its very writing and production. In a speculative engagement with Valérian concepts such as phase, prolongation as well as reconfigured relations between central categorical pairings such as quality-quantity and succession-simultaneity, the paper situates Valéry’s writings on time with regard to their ambiguously critical attitude to a given image of philosophy as a form of verbal exercise ungrounded in empirical observation of local systems
Aesthetics · Categorical variable · Economics · Epistemology · Simultaneity · Sociology · Computer Science · Historical and Literary Studies · Philosophical and Theoretical Analysis · Philosophy · Social Representations and Identity
| Citation velocity | historical |
|---|---|
| Highly cited | No |