Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Music of the Tabom

An Emblem of Identity

Bibliographic Data

ID20248306
AuthorsBenjamin Amakye-Boateng (0009-0003-8252-3488, University of Ghana, corresponding author)
Year2019
Volume8
Issue2
Pages95
Publication date2019-05-15
Open AccessYes
TypeARTICLE
VenueHumanities (JOURNAL)
Journal identifiersISSN: 2076-0787 • E-ISSN: 2076-0787
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/h8020095
OpenAlexW2946812178
LanguageEN
Citations received2
References cited6

This paper discusses how music functions as an emblem of identity for the Afro-Brazilian community in Accra, Ghana, known as the Tabom. The paper provides a contextual and analytical study of the complete musical enactment as practiced by this community, and argues, that the Tabom musical genre, known as Agbe, serves the purpose of creating and negotiating identity as found in their use of music within Tabom socio-cultural, religious, and political ceremonies. In this paper, I argue that Agbe is not only an organized sound in Tabom culture, but rather, it is one of the strongest cultural elements that serves as an emblem of identity relating to the life and culture of the Tabom community in Accra. Relying on ethnographic research design, Agbe is presented as the focus of study, subjecting the context in which it is performed to study and analysis. Moreover, the relationships between the Agbe ensemble and their performance context, as well as live events are discussed with the intent of conveying meanings of singing, drumming, dancing, and other related artistic expressions as they all contribute to help the Tabom to negotiate their identity

Acoustics · Aesthetics · Art · Cultural identity · Emblem · Ethnography · Musical · Negotiation · Singing · Social science · Sociology · Visual arts · African cultural and philosophical studies · African history and culture studies · African studies and sociopolitical issues · Anthropology · Gender Studies · History

  • Sounding Identity

    Open Access•Alfred Patrick Addaquay•Arts•2025

  • Gender and the Silences in the Tabon Narrative

    Cyrelene Amoah‐Boampong•Ghana Studies•2024

  • I am Brazilian'. History of the Tabon, Afro-Brazilians in Accra, Ghana

    Alcione M Amos, Michael R Webb et al.•Transactions of the Historical…•2002

  • Sound Tracks

    John Connell, Chris Gibson•Sound Tracks•2003

  • Circles and Time

    Open Access•Willie Anku•Music Theory Online•2000

  • The Invention of African Rhythm

    Kofi Agawu•Journal of the American…•1995

Citations per year1
Citation span2024 - 2025 (2)
Highly citedNo

Tools

Open DOISci-HubOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae