Haunted Oppressors
The Deconstruction of Manliness in the Imperial Gothic Stories of Rudyard Kipling and Arthur Conan Doyle
Bibliographic Data
| ID | 20248451 |
|---|---|
| Authors | Anna Maria Busse Berger (0000-0002-2285-0546, University of Tübingen, corresponding author) |
| Year | 2020 |
| Volume | 9 |
| Issue | 4 |
| Pages | 122 |
| Publication date | 2020-10-19 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2076-0787 • E-ISSN: 2076-0787 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/h9040122 |
| OpenAlex | W3093464029 |
| Language | EN |
| Citations received | 2 |
| References cited | 12 |
Building on Patrick Brantlinger’s description of imperial Gothic fiction as “that blend of adventure story with Gothic elements”, this article compares the narrative formula of adventure fiction to two tales of haunting produced in a colonial context: Rudyard Kipling’s “The Mark of the Beast” (1890) and Arthur Conan Doyle’s “The Brown Hand” (1899). My central argument is that these stories form an antithesis to adventure fiction: while adventure stories reaffirm the belief in the imperial mission and the racial superiority of the British through the display of hypermasculine heroes, Kipling’s and Conan Doyle’s Gothic tales establish connections between imperial decline and masculine failure. In doing so, they destabilise the binary construction between civilised Western self and savage Eastern Other and thus anticipate one of the major concerns of postcolonial criticism. This article proposes, therefore, that it is useful to examine “The Mark of the Beast” and “The Brown Hand” through a postcolonial lens
Adventure · Antithesis · Archaeology · Art · Art history · Comics · Criticism · Literature · Narrative · Comics and Graphic Narratives · Gothic Literature and Media Analysis · History · Philosophy · Travel Writing and Literature
| Citations per year | 2 |
|---|---|
| Citation span | 2025 - 2026 (2) |
| Highly cited | No |