Women’s Celibacy and the Propagation Imperative in Irish Science Fiction
Bibliographic Data
| ID | 20248498 |
|---|---|
| Authors | Jack Fennell (University of Limerick, corresponding author) |
| Year | 2026 |
| Volume | 15 |
| Issue | 6 |
| Pages | 73 |
| Publication date | 2026-05-29 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2076-0787 • E-ISSN: 2076-0787 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/h15060073 |
| OpenAlex | W7163401506 |
| Language | EN |
| References cited | 3 |
This article considers the literary exploration of women’s celibacy through the prism of science fiction, beginning with an overview of the genre’s often-retrograde engagements with the subjects of marriage, reproduction and heteronormative ideology. Alongside this genre context, a 19th-century Irish historical context is outlined, juxtaposing genre history with the ‘matrimonial’ rhetoric that arose following the 1801 Act of Union, which framed the merging of Ireland into the United Kingdom as a ‘marriage’ between Ireland and Great Britain, with Ireland represented as the bride. In the overlap between these two contexts, this article identifies several future-set Irish novels that address this rhetoric directly, while also tracing its (perhaps unconscious) impact in other texts, before moving on to consider one novel in particular: Mercia, the Astronomer Royal (1895) by Amelia Garland Mears. The article concludes by arguing that science fiction’s past missteps with regard to marriage and sex can be explained by the fact that traditional, patriarchal marriage is in fact fundamentally unsuited to a genre primarily concerned with the future, resulting in reactionary overcompensation
Astronomer · Celibacy · Irish · Prism · Reactionary · Renunciation · Rhetoric · Gothic Literature and Media Analysis · Irish and British Studies · Utopian, Dystopian, and Speculative Fiction
| Highly cited | No |
|---|