A Scandal Averted
Bettina von Arnim’s Open-Letter Novel Dies Buch gehört dem König (1843)
Bibliographic Data
| ID | 20248605 |
|---|---|
| Authors | Nursan Celik (Humboldt-Universität zu Berlin, corresponding author) |
| Year | 2025 |
| Volume | 14 |
| Issue | 12 |
| Pages | 234 |
| Publication date | 2025-12-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2076-0787 • E-ISSN: 2076-0787 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/h14120234 |
| OpenAlex | W4416917406 |
| Language | EN |
| References cited | 11 |
Dies Buch gehört dem König (This Book Belongs to the King), written and published in 1843 by the German Romantic author Bettina von Arnim, is a quasi-open letter, presented as a series of fictional dialogues with traces of a novel. Dedicated to the newly crowned King of Prussia, Friedrich Wilhelm IV, the letter unfolds social grievances and aims to persuade Friedrich Wilhelm to act like a just king. Due to its delicate socio-critical impetus, the letter does so through strategies of obfuscation and by using a richly pictorial, seemingly naive and lavish way of speech rather than taking an openly reproachful stance. Crucially, von Arnim does not install herself as the letter’s speaker but instead fictionalizes the letter and presents Goethe’s mother, Catharina Elisabeth Goethe, as the letter’s primary voice (‘Frau Rat’). By using a well-respected figure of the ruling class as the letter’s main voice, von Arnim aimed at minimizing its scandalous potential. But even prior to publishing the letter, von Arnim had already managed to trick Friedrich Wilhelm and the Prussian censors herself: by fusing the book’s title and dedication, she paratextually outwitted both the censors and the King, whose permission she sought precisely to bypass Prussian censorship. This article shows how von Arnim managed to avoid a larger scandal both textually by implementing semi-fictional devices and paratextually by presenting the letter as an affirmation of Friedrich Wilhelm IV and his policies
German · Performance art · Publishing · Romance · German Colonialism and Identity Studies · German Literature and Culture Studies · Musicology and Musical Analysis
| Highly cited | No |
|---|