Liminality, Madness, and Narration in Hassan Blasim’s “The Nightmares of Carlos Fuentes” and “Why Don’t You Write a Novel Instead of Talking about All These Characters?”

Bibliographic Data

ID20249019
AuthorsRima Sadek (Kenyon College, corresponding author)
Year2023
Volume12
Issue3
Pages50
Publication date2023-06-16
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueHumanities (JOURNAL)
Journal identifiersISSN: 2076-0787 • E-ISSN: 2076-0787
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/h12030050
OpenAlexW4380989314
LanguageEN
References cited9

The fiction of Hassan Blasim addresses the horrors of contemporary Iraq and centers on the crisis of identity that is part of the immigrant’s experience. Blasim’s protagonists try to forget past traumas related to their homeland by developing new identities ingrained solely in the present. Yet, the past resurfaces in the form of nightmarish dreams, madness, and fractured narratives where fiction and reality intersect and overlap. Inhabiting a constant state of liminality imprints itself on the body and psyche of the border crossers and leads to their physical or mental demise. Drawing on theories of madness, liminality, and narration advanced by Shoshana Felman and Michel Foucault, I analyze Blasim’s two short stories “The Nightmares of Carlos Fuentes” and “Why Don’t You Write a Novel Instead of Talking About All These Characters?” I argue that the imaginative space of literary narration, an in-between, liminal space between reality and fiction, is the space where ethico-political paradoxes and the absurdity of real-life trauma, death, and chaos are transformed into a meaningful literary dialogue that can expand reality and offer new spheres of understanding of the trauma that shapes the lives of Blasim’s characters

Absurdity · Aesthetics · Art · Liminality · Literature · Narrative · Psyche · Psychoanalysis · History · Jewish and Middle Eastern Studies · Literature, Magical Realism, García Márquez · Middle East Politics and Society · Philosophy · Psychology