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Analogical Perspective from “Shengsheng” Philosophy on Virginia Hamilton’s Survival Writing in M.C. Higgins, the Great

Bibliographic Data

ID20249264
AuthorsHuimin Liu (0000-0003-0933-6371, Beijing Language and Culture University, corresponding author)
Year2024
Volume13
Issue4
Pages102
Publication date2024-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueHumanities (JOURNAL)
Journal identifiersISSN: 2076-0787 • E-ISSN: 2076-0787
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/h13040102
OpenAlexW4401211154
LanguageEN
References cited10

This article aims at examining Virginia Hamilton’s survival writing in the novel M.C. Higgins, the Great through the analogical lens with the traditional Chinese philosophy of “shengsheng (生生)”. Current research on Hamilton’s survival writing has ignored the cosmological aspect. In fact, what the novel reveals is not limited to the aspects of social and emotional survival, but also the ecological or cosmical co-existence. Considering Hamilton’s global awareness and some similarities between African and Chinese traditions, this article resorts to the cross-cultural reference of the Chinese “shengsheng” philosophy. The concept originating from Xici (《系辞》), the commentaries on Zhouyi (《周易》), is well known for its wisdom on how all things in the universe can be born and how they can coexist, and thus it can be drawn upon for exploring Hamilton’s survival writing. Specifically, this article takes a comprehensive analogical examination and discussion of the four aspects, namely, shengsheng virtue (生生之德), shengsheng affect (生生之情), shengsheng disposition (生生之性), and shengsheng fate (生生之命). This is to supplement the covering of Hamilton’s survival writing and to enlarge the interpretation of Hamilton’s works with philosophical and cosmopolitan visions

Art · Art history · Environmental ethics · Sociology · Visual arts · History · Philosophy · Vietnamese History and Culture Studies

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Citation velocityhistorical
Highly citedNo

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