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Cringe and Sympathy

The Comedy of Mental Illness in Flowers

Bibliographic Data

ID20249348
AuthorsLinda Heß (University of Augsburg, corresponding author), Linda M Hess
Year2021
Volume10
Issue4
Pages121
Publication date2021-11-20
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueHumanities (JOURNAL)
Journal identifiersISSN: 2076-0787 • E-ISSN: 2076-0787
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/h10040121
OpenAlexW3215121426
LanguageEN
Citations received2
References cited4

This article on brings together findings from humor studies, especially work on cringe comedy, and disability studies. It analyzes how Flowers uses elements of cringe to question societal norms of the “proper person” in connection to mental illness, but also how Flowers broadens the genre of cringe so that, at times, it becomes a cringe tragedy rather than a cringe comedy, thus taking seriously the pain of mental illness. As a third point, this analysis focuses on the way in which Flowers self-reflexively employs elements of narrativity to draw attention to the cultural constructedness and storyfication of mental illness throughout history

Art · Comedy · Literature · Mental health · Mental illness · Psychiatry · Psychotherapist · Sympathy · Film in Education and Therapy · Humor Studies and Applications · Psychology · Shakespeare, Adaptation, and Literary Criticism · Social Psychology

  • When That Memory Fills Me With Horror and Dread, I Do the Cringe

    Open Access•Corinn Columpar•Television & New Media•2024

  • Tim Renkow's Jerk

    Open Access•Emma Sullivan•Open Library of Humanities•2024

  • British dark comedy television and the bodily aesthetics of the ‘Proper person’

    Beccy Collings•Comedy Studies•2018

  • Visualizing Madness

    Open Access•Simon Cross•Television & New Media•2004

  • Joke work

    Pansy Duncan•Comedy Studies•2017

Unique citing works2
Citations per year1
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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