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Adolescence in vampire narratives

Symbolic motifs from the fairy tale Little Red Riding Hood in E.T.A. Hoffmann’s Vampyrismus (1821) and Moira Buffini’s A Vampire Story (2008)

Bibliographic Data

ID20253003
AuthorsSayaka Oki (0009-0003-8714-9296, Doshisha University, corresponding author)
Year2026
Volume13
Issue1
Publication date2026-12-31
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCogent Arts and Humanities (JOURNAL)
Journal identifiersISSN: 2331-1983 • E-ISSN: 2331-1983
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/23311983.2026.2661497
OpenAlexW7155633331
LanguageEN
References cited10

This study examines adolescence as a site of psychological crisis in vampire narratives, focusing on the Oedipal structure and its role in identity formation. Drawing on Sigmund Freud’s psychoanalytic theory and Julia Kristeva’s concept of abjection, the analysis highlights the tension between the principles of pleasure and reality, as young female protagonists disregard maternal injunctions and pursue desire, thereby precipitating vampiric transformation. E.T.A. Hoffmann’s Vampyrismus (1821) dramatizes this inevitability through Aurelie’s abject metamorphosis, whereas Moira Buffini’s A Vampire Story (2008) explores Eleanor’s fragile sensibility and transgressive love for Frank. The analysis employs a comparative close reading of these works that dramatize how female protagonists negotiate tensions between desire and repression. This study demonstrates that the Oedipal complex structure evident in the fairy tale Little Red Riding Hood can be read as the psychological origin of vampirization in Hoffmann’s and Buffini’s narratives. The study also examines Neil Jordan’s contemporary cinematic adaptation to illustrate how these symbolic structures continue across media. The vampire figure emerges as a liminal presence that destabilizes boundaries between subject and object, purity and impurity, and life and death. This study argues that vampirism functions as a metaphor for adolescent identity crises, where desire and abjection mark privileged sites of female subjectivity. This perspective contributes to work at the intersection of gender, psychoanalytic criticism, and narrative folklore

Symbolic data analysis · The Symbolic · Vampire · Folklore, Mythology, and Literature Studies · Gothic Literature and Media Analysis · Themes in Literature Analysis

  • ‘Visual Pleasure and Narrative Cinema’

    Laura Mulvey•Feminist Film Theory•1999

  • E.T.A. Hoffmann-Handbuch

    Open Access•Christine Lubkoll, Harald Neumeyer•E.T.A. Hoffmann-Handbuch•2015

  • Blutige Grenzüberschreitungen

    Open Access•Clemens Ruthner•Cahiers d’études germaniques•2020

  • Kleidung und Altersthematik in „Rotkäppchen“, „Aschenputtel“ und ihren literarischen Adaptionen

    Open Access•Miriam Wray, Miriam Annabelle Wray•The German Quarterly•2021

  • Masaldan Sinemaya

    Open Access•Meltem Güler•Uluslararasi Kibris Universitesi…•2025

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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