Memeification of Walid in Indonesian digital space
Reinterpreting Malaysia’s Bidaah through memes
Bibliographic Data
| ID | 20253161 |
|---|---|
| Authors | Siti Khusnul Khotimah (University of Brawijaya), Siti Ezaleila Mustafa (0000-0003-0010-8807, University of Malaya), Rosana Hariyanti (University of Brawijaya), Sigit Prawoto (University of Brawijaya), Intan Dewi Savitri (0000-0002-2068-6623, University of Brawijaya, corresponding author), Eri Susanto (0000-0003-0163-8172, University of Brawijaya) |
| Year | 2026 |
| Volume | 13 |
| Issue | 1 |
| Publication date | 2026-12-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cogent Arts and Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2331-1983 • E-ISSN: 2331-1983 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/23311983.2026.2670164 |
| OpenAlex | W7161059372 |
| Language | EN |
| References cited | 29 |
This study explores how Indonesian digital audiences reinterpret the Malaysian television series Bidaah through memes featuring its central character, Walid, a religious leader who embodies patriarchal authority by reframing abuse as a religious duty. While the series represents Walid through sacred symbolism and gender hierarchy, Indonesian netizens recontextualize these images into their own socio-religious discourse and reinterpret them through humorous, yet satirical memes. This research reveals how the humorous memetic reinterpretation of Walid by Indonesian audiences reflects broader cultural negotiations of religious authority, sensitivity, and satire in digital media. Through critical discourse analysis of five high-engagement Instagram memes (March–May 2025), the findings demonstrate how humorous memes redistribute symbolic power operating as a culturally specific form of resistance, enabling public critique of abuse of authority and gendered power relations in religion without direct transgression. This study underscores the significance of meme culture in facilitating cultural dialogue within social media representation
Indonesian · Social media · The Internet · Asian Studies and History · Cultural Identity and Representation · Semiotics and Cultural Interpretation
Digital Religion
The Vernacular Web of Participatory Media
Representation of Power and Domination in Deviant Religious Practices in the Film Bidaah
The Battle Between Moderate and Fundamentalist Islamic Groups in Covid-19 Memes on Social Media
The Subject and Power
The Discursive Power of Memes in Digital Culture
Analysing Discourse
Memes in Digital Culture
Methodological and epistemological challenges in meme research and meme studies
Memes as genre
Understanding Popular Culture
Memes in a Digital World
Many Clicks but Little Sticks
Performative Acts and Gender Constitution
| Highly cited | No |
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