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Waking the ruin

Graham Harman’s object-oriented ontology, photogrammetry and the dami of Imbros

Bibliographic Data

ID20253288
AuthorsSevcan Ercan (0000-0003-2618-236X, Istanbul Medeniyet University, corresponding author), Joe Graham (0000-0001-9811-9808, American University of Sharjah)
Year2025
Volume12
Issue1
Publication date2025-12-31
Open AccessYes
TypeARTICLE
VenueCogent Arts and Humanities (JOURNAL)
Journal identifiersISSN: 2331-1983 • E-ISSN: 2331-1983
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/23311983.2025.2457225
OpenAlexW4406936033
LanguageEN
References cited12

Graham Harman’s object-oriented ontology (OOO) finds increasing interest across the arts and humanities, and offers a number of novel ways to rethink our relationship to architecture. Within the context of a philosophy that prioritises objects and stresses the looseness of the bond between objects and their own qualities, Harman’s recently articulated focus on ‘zeroing’ form and function in order to engage the withdrawn reality of buildings on an aesthetic level offers a case in point. Applying Harman’s metaphysics in conjunction with 3D photogrammetry treated as an aesthetic technique, this article interrogates a type of ruin – dami (plural damia) found on the North Aegean Island of Imbros/Gökçeada – with a view to stimulating them ‘awake’. Courtesy of a metaphor created to act as a guide, plus the production of a new sensual object – a digital 3D photogrammetric model acting as a proxy for the scanned entity sat atop a hillside – the article provides a detailed framework for allowing an engaged beholder to reimagine the damia in new and unexpected ways, contributing to the literature concerning how Harman’s OOO may be practically applied

Art · Art history · Computer vision · Epistemology · Ontology · Photogrammetry · Computer Science · Geographies of human-animal interactions · Philosophy · Photography and Visual Culture · Artificial Intelligence

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Highly citedNo

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