Creative film and media practice as research
In pursuit of that obscure object of knowledge
Bibliographic Data
| ID | 20255183 |
|---|---|
| Authors | Desmond Bell (Queens University, Belfast, corresponding author) |
| Year | 2006 |
| Volume | 7 |
| Issue | 2 |
| Pages | 85-100 |
| Publication date | 2006-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Media Practice (JOURNAL) |
| Journal identifiers | ISSN: 1468-2753 • E-ISSN: 2040-0926 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1386/jmpr.7.2.85_1 |
| OpenAlex | W2055242338 |
| Language | EN |
| Citations received | 13 |
| References cited | 14 |
What are the continuities between research activity focused on creative practice, and other forms of film and media research? What are the methodological differences between practice-based research in the still and moving image and traditional academic scholarship in film and imaging studies? In response to the pressure to ‘publish or perish’ and to compete for scarce research funds, some creative media arts academics have sought to legitimize their practice-based work as a modality of systematic investigation that fits within a generic template of academic research. Given the specificity of creative arts activity and the distinctive forms of knowledge generated in and through practice-based research in the lens and screen-based media, is this strategy sustainable? Is it desirable? In this paper I explore some of the epistemological difficulties associated with pursuing a generic research strategy for the media arts, examining some of the false starts we have made in plotting the relationship between research and creative practice. Recent developments within aesthetics have sought to understand the art work as a form of performance. This approach might prove instructive in identifying an appropriate research paradigm for arts practice, including film and photography, in so far as it addresses the relation, ‘between the generative act that brings a work into existence and the receptive act that is a proper appreciation of that work’. (Davies 2004: 26)
Art · Creative brief · Creative work · Creativity · Fine art · Literature · Media arts · Political science · Practice research · Publication · Publish or perish · Publishing · Scholarship · Sociology · The arts · Visual arts · Artistic and Creative Research · Cinema and Media Studies · Computer Science · Psychology · Social Psychology · Theatre and Performance Studies · Artificial Intelligence
The challenge of film to innovation and entrepreneurship studies
Taming your inner artist – creative practice research as a form of conceptual art (of jazz players of academia)
Research, practice, knowledge
Petit récit de l’émergence de la recherche-création médiatique à l’Uqam et quelques propositions pour en guider la pratique
Educación Artística e Inclusión en Magisterio
Rebellious academia – the potential of creative practice research
Regulating Academic Pressure
Screen production enquiry
Electroacoustic moviemaking
Shifting the frame
Documentary film and the poetics of history
Visually engaged ethnography
Unpacking Films That Educate
Art and its Objects
The Social Production of Art
Unmarked
Languages of Art
Creation and I, me and my work
Practice Makes Perfect? Film and Media Studies and the Challenge of Creative Practice
Branding Documentary
Contemporary Schools of Metascience
Music, Art, and Metaphysics
Practice as research in performance
| Unique citing works | 13 |
|---|---|
| Citations per year | 0,76 |
| Citation span | 2009 - 2026 (18) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 12 |