Truth and Fiction
The Holocaust on Stage and Screen
Bibliographic Data
| ID | 20289238 |
|---|---|
| Authors | Ronald Harwood (corresponding author) |
| Year | 2005 |
| Volume | 38 |
| Issue | 2 |
| Publication date | 2005-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | European Judaism (JOURNAL) |
| Journal identifiers | ISSN: 0014-3006 • E-ISSN: 1752-2323 |
| Publisher | Berghahn Books (PUBLISHER • GB) |
| DOI | 10.3167/001430005781203925 |
| OpenAlex | W2009552777 |
| Language | EN |
| Citations received | 1 |
As writers and film makers we have the privilege of being able to make our views known through our work. Each time we draw attention to the Holocaust we are, I believe, educating, reminding, warning and proclaiming as loudly as we can our support for Israel's continued existence. I do not look for the themes about which I write, they look for me. I nurse the hope that those themes will either become less obsessive or go hunting elsewhere, perhaps to alight on new, younger writers and film makers. I long for other themes to find me and provide respite. But that, I know, may be a forlorn hope. I also long for films and plays about the Holocaust to become less and less necessary but that, too, I suspect is a forlorn hope
Aesthetics · Art · Criminology · Media studies · Political science · Privilege (computing) · Psychoanalysis · Respite care · Sociology · Suspect · The Holocaust · Cinema and Media Studies · History · Law · Medicine · Memory, Trauma, and Commemoration · Psychology · Rhetoric and Communication Studies
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |