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A Review of Italian Modernism

Bibliographic Data

ID20290157
AuthorsGiorgio La Piana (corresponding author)
Year1916
Volume9
Issue4
Pages351-375
Publication date1916-10-01
Open AccessYes
TypeARTICLE
VenueHarvard Theological Review (JOURNAL)
Journal identifiersISSN: 0017-8160 • E-ISSN: 1475-4517
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0017816000004806
OpenAlexW2134591154
LanguageEN
Citations received1

The future historian of Modernism will be much embarrassed by the contradictory appreciations and misjudgments which are to be found in our contemporary literature on this subject. One book presents Modernism as a movement of the Latin mind, distrusting individualism and laying stress upon the corporate element in religion; another writer, on the contrary, characterizes Modernism as “a spirit of anarchy, of individualism, of personal distinction and culture.” To some writers Modernism is the greatest spiritual movement ever produced inside the Catholic Church, while to others it is an insignificant and useless dream of a few not completely developed minds. Consequently some of them outline the development of Modernism as an anecdotic history without a real unity in purpose, while others conceive of it as of a system of theology derived from certain fixed and definite philosophic premises

Aesthetics · Art · Dream · Element (criminal law) · Individualism · Literature · Modernism (music) · Movement (music) · Political science · Subject (documents) · Italian Fascism and Post-war Society · Law · Medieval European Literature and History · Philosophy · Psychology

  • Giorgio La Piana and the Religious Crisis in Italy at the Beginning of the Twentieth Century

    Open Access•Daniela Saresella•Harvard Theological Review•2017

Citations per year0.11
Citation span2017 - 2017 (1)
Highly citedNo

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