Erikson's “inner space”
Where art and religion converge
Bibliographic Data
| ID | 20304852 |
|---|---|
| Authors | Donald Capps, 美紅 内山, 理恵 川野, さち子 溝部, 紀江 廣橋, 昌司 佐藤 |
| Year | 1996 |
| Volume | 35 |
| Issue | 2 |
| Pages | 93-115 |
| Publication date | 1996-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Religion and Health (JOURNAL) |
| Journal identifiers | ISSN: 0022-4197 • E-ISSN: 1573-6571 |
| Publisher | Springer Science and Business Media LLC (PUBLISHER) |
| DOI | 10.1007/bf02354520 |
| PMID | 24264630 |
| OpenAlex | W24264630 |
| Language | EN |
| Citations received | 7 |
| References cited | 1 |
This essay explores ways in which Erik H. Erikson's interests in art and religion converge in his psychology of religion. By associating Erikson'sYoung Man Luther with portraiture and his essays on "womanhood and the inner space" with still life, the author employs artistic genres to resituate the interpretation of Erikson's key texts on religion. By way of Erikson's image of the "inner space," connections are drawn betweenYoung Man Luther and his essays on womanhood. His late essay on Jesus is also linked to the earlier "inner space" essays, demonstrating that a central feature of Erikson's psychology of religion is its reformulation of traditional psychoanalytic theory of ritual
Computer Science · Religious Studies and Spiritual Practices · Study and Philosophy of Religion · Theological Perspectives and Practices
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The Lessons of Art Theory for Pastoral Theology
Explorations in the Aesthetic Pastoral Theology of Donald E. Capps
The Royal Road
Erik H. Erikson’s Young Man Luther
Erik H. Erikson’s Psychoanalytic Portrait of Martin Luther
The Embarrassing Adam’s Apple, Compromised Masculinity, and Hope
| Citations per year | 0.24 |
|---|---|
| Citation span | 1997 - 2018 (22) |
| Highly cited | No |