John Wallis's world of ink
From manuscripts to library
Bibliographic Data
| ID | 20315115 |
|---|---|
| Authors | Louisiane Ferlier (0000-0002-6635-3031, The Royal Society, 6–9 Carlton House Terrace, London SW1 5AG, UK, corresponding author) |
| Year | 2018 |
| Volume | 72 |
| Issue | 4 |
| Pages | 431-445 |
| Publication date | 2018-12-20 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Notes and Records the Royal Society Journal of the History of Science (JOURNAL) |
| Journal identifiers | ISSN: 0035-9149 • E-ISSN: 1743-0178 |
| Publisher | The Royal Society (PUBLISHER • GB) |
| DOI | 10.1098/rsnr.2018.0022 |
| OpenAlex | W2894551303 |
| Language | EN |
John Wallis's encyclopaedic endeavours were built on a mountain of ink and paper. To consider Wallis's work in the making, this article will draw his portrait as a reader and book collector. Keeper of the University of Oxford archives, he secured donations for the Bodleian and Savilian libraries and obsessively consulted old and new publications, manuscript and printed texts to build and defend his own work. Revealing interconnections between his contributions to theology, cryptography, linguistics, music and mathematics, this paper will focus on Wallis's methodical construction of his personal ‘inkscape’. His passionate obsession with the preservation and dissemination of his thought in print will be considered alongside the research he only consigned in manuscript form, through correspondence and notes. This reconstruction of John Wallis's libraries will therefore provide us with an overview of the érudit's contested achievements, as well as a panorama of contemporary scholarly practices
Art · Art history · Focus (optics) · Library science · Panorama · Portrait · Sociology · Visual arts · Work (physics) · Computer Science · Engineering · Historical and Literary Studies · History · Medieval Literature and History · Renaissance Literature and Culture
| Highly cited | No |
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