The Performance of a Sumerian Wedding Song (CT 58, 12) 13
Bibliographic Data
| ID | 20323429 |
|---|---|
| Authors | Sam Mirelman (0000-0002-2605-2170), Walther Sallaberger |
| Year | 2010 |
| Volume | 100 |
| Issue | 2 |
| Publication date | 2010-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Zeitschrift für Assyriologie und Vorderasiatische Archäologie (JOURNAL) |
| Journal identifiers | ISSN: 0084-5299 • E-ISSN: 1613-1150 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/za.2010.010 |
| OpenAlex | W2073880956 |
| Language | EN |
| Citations received | 3 |
| References cited | 3 |
A close examination of the Old Babylonian Sumerian song CT 58, 12, in terms of its graphic arrangement and its literary patterns, leads to a better understanding of its performance: male and female singers participate, soloists and choir alternate, and vocables feature prominently besides the Sumerian text. The song can be situated within the marriage ceremony
Ancient history · Archaeology · Art · Ceremony · Choir · Cuneiform · Feature (linguistics) · Linguistics · Literature · Mesopotamia · Situated · Sumerian · Visual arts · Ancient Near East History · Computer Science · History · Linguistics and language evolution · Philosophy
| Citations per year | 0.2 |
|---|---|
| Citation span | 2011 - 2025 (15) |
| Highly cited | No |