The Aesthetic of Performance in the Russian Avant-Garde
Bibliographic Data
| ID | 20329905 |
|---|---|
| Authors | Patricia Carden (1Cornell University, corresponding author) |
| Year | 1985 |
| Volume | 19 |
| Issue | 4 |
| Pages | v-383 |
| Publication date | 1985-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Canadian-American Slavic Studies (JOURNAL) |
| Journal identifiers | ISSN: 0090-8290 • E-ISSN: 2210-2396 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/221023985x00125 |
| OpenAlex | W2018239828 |
| Language | EN |
PATRICIA CARDEN T H E A E S T H E T I C O F P E R F O R M A N C E I N T H E R U S S I A N A V A N T - G A R D E * This special issue o f Canadian-American Slavic Studies is devoted to an ex- ploration o f the ways in which performance influenced all the art forms and became the chief device for unifying art forms in Russia in the period between 1900 and 1930. The contributions trace the parabola
Aesthetics · Art · Art history · Avant garde · Humanities · Linguistics · Period (music) · Slavic languages · TRACE (psycholinguistics) · Classics · History · Philosophy · Sociopolitical Dynamics in Russia
| Highly cited | No |
|---|