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Precious-Metal Polychromy in Egypt in the time of Tutankhamun

Bibliographic Data

ID20372538
AuthorsDeborah Schorsch (corresponding author)
Year2001
Volume87
Issue1
Pages55-71
Publication date2001-12-01
Open AccessYes
TypeARTICLE
VenueThe Journal of Egyptian Archaeology (JOURNAL)
Journal identifiersISSN: 0307-5133 • E-ISSN: 2514-0582
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/030751330108700106
OpenAlexW63641133
LanguageEN
Citations received4

Gold and silver appear in Egypt at least as early as the Predynastic Period, and remained thereafter in use for the manufacture of ritual and funerary objects and personal possessions. On occasion, the ancient metalworker or his patron would choose to combine them in the manufacture of an objet de vertu: a jewel, a vessel, a royal coffin. The earliest uses of gold and silver, and electrum—a naturally occuring alloy of the two—together can be described as random, as the juxtapositions appear to have no meaning in terms of relative monetary value or visual design, and to have no colouristic or symbolic associations. During the Old Kingdom there appear the first objects that use precious metals systematically for their contrasting colours, a practice that becomes more widespread in the Middle Kingdom. The greatest sophistication in the use of precious metals can be documented during the second half of the Eighteenth Dynasty, particularly in the time of Tutankhamun, when gold—including alloys that are reddish or have been intentionally coloured red—silver and electrum, were used together also to exploit their inherent colours and to evoke symbolic meaning

Aesthetics · Ancient history · Archaeology · Art · Coffin · Metal · Metallurgy · Middle Ages · Ornaments · Precious metal · Sophistication · The Symbolic · Visual arts · Ancient Egypt and Archaeology · Ancient Near East History · Cultural Heritage Materials Analysis · History · Materials Science · Philosophy · Psychology

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Citations per year0.19
Citation span2005 - 2024 (20)
Highly citedNo

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