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Ancient Reproductions and Calligraphic Variations

Studies of Western Zhou Bronzes with “Identical” Inscriptions

Bibliographic Data

ID20380239
AuthorsLi Feng (0000-0002-2709-3628, University of Chicago, corresponding author)
Year1997
Volume22
Pages1-41
Publication date1997-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEarly China (JOURNAL)
Journal identifiersISSN: 0362-5028 • E-ISSN: 2325-2324
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0362502800003230
OpenAlexW1218997069
LanguageEN
Citations received3
References cited7

Traditional studies of Western Zhou bronze inscriptions have long centered on the issue of dating, but have ignored technical aspects regarding the creation of the inscriptions. In these studies, scholars generally considered bronzes with “identical” inscriptions to have been produced simultaneously. This article demonstrates, with the example of the newly excavated Ke lei and Ke he , that an inscription could be reproduced during the Western Zhou. The Ke lei was cast at the outset of the Zhou dynasty to celebrate the granting of the state of Yan, while the Ke he was probably cast somewhat later, with inscriptions imitating the original inscriptions. This article also demonstrates that “identical” inscriptions can display different calligraphy, the calligraphic styles corresponding to sets in the original composition of bronzes. For example, the thirteen “identical” inscriptions on the extant eight Ci gui and three Ci ding vessels were inscribed in three different calligraphic styles; the ornamentation and size or weight of these eleven bronzes show them to have belonged originally to three different sets, corresponding to the three calligraphic styles. These cases of “identical” inscriptions not only provide solid evidence for the contemporary co-existence of different calligraphic styles within the Western Zhou period, but also provide critical information on the organization of technology and labor in the creation of Western Zhou bronzes

Ancient history · Archaeology · Art · Bronze · Calligraphy · Extant taxon · Geometry · Inscribed figure · Literature · Painting · Shang dynasty · Visual arts · Western Zhou · China's Socioeconomic Reforms and Governance · Chinese history and philosophy · History

  • Materializing Identity—A Statistical Analysis of the Western Zhou Liulihe Cemetery

    Y Jaffe•Asian perspectives•2012

  • Writing Before Inscribing

    Open Access•Ondřej Škrabal•Early China•2019

  • New Sources of Western Zhou History

    Open Access•Edward L Shaughnessy•Early China•2001

  • Aspects of Western Chou Appointment Inscriptions

    Open Access•Virginia C Kane•Early China•1982

  • The Duke of Zhou's Retirement in the East and the Beginnings of the Ministerial-Monarch Debate in Chinese Political Philosophy

    Open Access•Edward L Shaughnessy•Early China•1993

  • A Recently Excavated Inscribed Bronze of Western Chou Date

    Noel Barnard•Monumenta Serica•1958

  • The Incidence of Forgery Amongst Archaic Chinese Bronzes

    Noel Barnard•Monumenta Serica•1968

  • Sources of Western Zhou History

    Edward L Shaughnessy•Sources of Western Zhou History•1992

  • Archaeology in China

    Richard C Rudolph, Cheng Te-K'Un et al.•Journal of the American Oriental…•1967

Unique citing works3
Citations per year0,12
Citation span2001 - 2019 (19)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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