Manuel Álvarez Bravo
Susan Kismaric: New York, Thames and Hudson, The Museum of Modern Art, 1997
Bibliographic Data
| ID | 20387280 |
|---|---|
| Authors | Jacqueline Mraz (0000-0002-1926-9347, Benemérita Universidad Autónoma de Puebla, corresponding author), John Mraz |
| Year | 1997 |
| Volume | 8 |
| Issue | 2 |
| Publication date | 1997-06-09 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | EIAL - Estudios Interdisciplinarios de América Latina y el Caribe (JOURNAL) |
| Journal identifiers | ISSN: 0792-7061 • E-ISSN: 2226-4620 |
| Publisher | Tel Aviv University (PUBLISHER • IL) |
| DOI | 10.61490/eial.v8i2.1118 |
| OpenAlex | W2204149178 |
| Language | ES |
The most renowned Mexican photographer - and perhaps of all Latin America-, Manuel Álvarez Bravo, nonetheless followed a curiously irregular path to his consagration in the MOMA's exhibit and this sumptuous catalogue of his work
Archaeology · Art · Art history · Environmental ethics · Classics · Historical Art and Architecture Studies · History · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |