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“Kuna Corona fake na Og”

The Role of Postcolonial Laughter during the Covid-19 Outbreak in Tanzania

Bibliographic Data

ID20390037
AuthorsAngelus Mnenuka (0000-0001-5479-7658, Institute of Kiswahili Studies, University of Dar es Salaam Dar es Salaam Tanzania, corresponding author)
Year2024
Pages1-26
Publication date2024-02-16
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe African Review (JOURNAL)
Journal identifiersISSN: 0856-0056 • E-ISSN: 1821-889X
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/1821889x-bja10075
OpenAlexW4391998110
LanguageEN
References cited34

Scholars are basically divided in their perception of the functions of postcolonial humour. One block ascribes it to the role of criticising postcolonial governments for maladministration. Another group ascribes it to ridiculing the masses for their passivity to unjust rulers. In addition, there is also a middle group that does not specifically assign the art to either side. Taking these varying opinions as a point of departure and the novelty of COVID -19 humour, the researcher adapted multimodality and social semiotics to analyse and ascertain the role of postcolonial humour used in debates about COVID -19 in Tanzania during the peak of the malady. In this regard, the study reports that besides entertainment function, COVID -19 postcolonial humour reminded people from all walks of life to take responsibility in the fight against the disease. Thus, the findings confirm that postcolonial humour in social media, like other traditional African verbal arts, criticises undesirable societal practices regardless of a person’s social and political status

Aesthetics · Art · Entertainment · Epistemology · Ethnology · Laughter · Media studies · Political science · Politics · Semiotics · Social science · Sociology · Tanzania · Technoscience · The arts · COVID-19 Pandemic Impacts · Gender Studies · Humor Studies and Applications · Law · Medicine · Philosophy · Psychology · Social Psychology

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Citation velocityhistorical
Highly citedNo

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