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The work of art in the age of artificial intelligibility

Bibliographic Data

ID20397138
AuthorsJohn Mcloughlin (0000-0003-3226-0555, Cardiff University, corresponding author)
Year2025
Volume40
Issue2
Pages371-383
Publication date2025-02-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAI & Society (JOURNAL)
Journal identifiersISSN: 0951-5666 • E-ISSN: 1435-5655
PublisherSpringer Science and Business Media LLC (PUBLISHER)
DOI10.1007/s00146-023-01845-4
OpenAlexW4393272665
LanguageEN
Citations received1
References cited29

The emergence of complex deep-learning models capable of producing novel images on a practically innumerable number of subjects and in an equally wide variety of artistic styles is beginning to highlight serious inadequacies in the ethical, aesthetic, epistemological and legal frameworks we have so far used to categorise art. To begin tackling these issues and identifying a role for AI in the production and protection of human artwork, it is necessary to take a multidisciplinary approach which considers current legal precedents, the practice of software engineering, historical attitudes towards technological innovation and a sustained technical analysis of the models themselves. This paper queries the location and nature of substantive artistic work in the developmental stages of an AI-generated image, offering critiques of existing assumptions and posing questions for future research. The emergence of convincing AI creative output, artistic or literary, has significant long-term implications for the humanities, including the need for re-appraisal of foundational ideas about authorship and creativity in general. The effects of artificial intelligence, whether generalised or task-specific, cannot be ignored or displaced now that easy-access, scalable image and text production is a reality

Art · Epistemology · Performing arts · Visual arts · Aesthetic Perception and Analysis · Computability, Logic, AI Algorithms · Computer Science · Embodied and Extended Cognition · Philosophy · Psychology

  • On the Speculative Terminology Surrounding AI

    Open Access•Colin Ashruf•IEEE Technology and Society…•2026

  • Real Patterns

    Daniel C Dennett•The Journal of Philosophy•1991

  • Minds, brains, and programs

    Open Access•John R Searle•Behavioral and Brain Sciences•1980

  • Artists, Artificial Intelligence and Machine-based Creativity in Playform

    Open Access•Ahmed Elgammal, Marco Mazzone et al.•Artnodes•2020

  • Art theory - an historical introduction

    Steve Hanson•Visual Studies•2010

  • Photography and Representation

    Roger Scruton•Critical Inquiry•1981

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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Open DOIOpen Access
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