Perceptions and integration of generative artificial intelligence in creative practices and industries

A scoping review and conceptual model

Bibliographic Data

ID20398809
AuthorsJack Tsao (0000-0002-6671-0561, University of Hong Kong, corresponding author), Cindy Xinyi Liang, Cindy Liang (0000-0003-3763-2987, University of Hong Kong), Collier Nogues (0000-0002-2321-2028, Chinese University of Hong Kong), Alice Wong (0000-0002-1636-4680, University of Hong Kong)
Year2026
Volume41
Issue3
Pages2259-2278
Publication date2026-03-01
Open AccessYes
TypeARTICLE
VenueAI & Society (JOURNAL)
Journal identifiersISSN: 0951-5666 • E-ISSN: 1435-5655
PublisherSpringer Science and Business Media LLC (PUBLISHER)
DOI10.1007/s00146-025-02667-2
OpenAlexW4414939510
LanguageEN
Citations received2
References cited60

Generative Artificial Intelligence (GenAI) is fundamentally transforming notions of creativity and creative production across disciplines, yet a comprehensive understanding of professional attitudes and integration patterns remains challenging. This scoping review examines how creative professionals perceive and integrate GenAI technologies across four domains: visual art and design, writing and literature, performing arts, and environmental and spatial design. Following PRISMA-ScR guidelines, we analysed 57 papers (2022–2025) from multiple databases, focusing mainly on empirically based studies of professional creative practice. We identify universal trends, including the shift from creation to curation and meta-creation, the emergence of new literacies (prompt engineering, AI evaluation), and the reconfiguration of expertise hierarchies. Career stage emerges as a critical factor: across domains, entry-level professionals demonstrate enthusiasm and view GenAI as a natural extension of digital tools, while senior practitioners express scepticism about expertise devaluation. All fields consistently position GenAI in early-stage conceptualisation rather than final production, developing hybrid methodologies that preserve human judgment in convergent creative phases. However, impacts manifest differently based on each field/ sub-field’s relationship to embodiment and materiality. Integration levels follow an inverse relationship with traditional notions of “pure” creativity—fields prioritising embodied practice and cultural authenticity (fine arts, literary fiction, classical music) show the most significant resistance. At the same time, commercially oriented domains embrace higher adoption for efficiency gains. Visual artists face “erasure by obscurity” from AI output volume; writers negotiate between nonlinear, associative language generation and AI’s tendency toward coherence and cliché; performers uniquely embrace computational unpredictability as a generative force; architects balance efficiency imperatives with concerns about cultural homogenisation effects of Western-centric AI systems. Our conceptual framework positions creative professionals’ attitudes along two dimensions: knowledge codifiability (tacit/embodied to explicit/codifiable) and output materiality (physical/permanent to digital/ephemeral). Key tensions include balancing productivity with meaningful engagement, volume with distinction, precision with serendipity, and individual with collective intelligence. Ultimately, our findings reveal complex patterns of ambivalence shaped by competing value systems. This review contributes a comprehensive mapping of GenAI applications across creative disciplines, potential disconnects between educational emphasis on critique and industry’s pragmatic adoption, and gaps for future research on longitudinal skill impacts, emerging AI-native practices, Global South perspectives, and forms of creative resistance

Computational Creativity · Creativity · Embodied cognition · Enthusiasm · Generative grammar · Generative model · Perception · Performative utterance · Skepticism · Aesthetic Perception and Analysis · Creativity in Education and Neuroscience · Virtual Reality Applications and Impacts

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