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Im Spiegel des Prinzen . Fanny Lewalds auto/biographische Selbstreflexionen als Jüdin in »Prinz Louis Ferdinand« (1849)

Bibliographic Data

ID20405767
AuthorsAndree Michaelis‐König (0009-0003-9482-0156, corresponding author), Andree Michaelis-König
Year2023
Volume33
Issue2
Pages245-257
Publication date2023-11-28
Open AccessNo
TypeARTICLE
VenueAschkenas (JOURNAL)
Journal identifiersISSN: 1016-4987 • E-ISSN: 1865-9438
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/asch-2023-2011
OpenAlexW4389142107
LanguageDE

This paper focusses on Fanny Lewald’s historical novel »Prinz Louis Ferdinand« of 1849. I examine the biographical as well as cultural-historical circumstances of the work’s genesis. Lewald clearly intended it as a critique of Prussian history, but at the same time the work’s focal point turns out to be a quite personal, female perspective. This perspective is mirrored in the prince’s experiences of loss and powerlessness. This leads me to explore the poetological dimensions of a writing in which the figure of the Prussian prince becomes a prismatic center of Lewald’s self-reflection. Here, the figure of Rahel Levin, as prominently portrayed by Lewald in her novel, plays a special role. It is precisely in her that the author’s interest in the political position of the Jewess in her as well as in Rahel Levin’s time becomes apparent

Art · Art history · Humanities · Political science · Politics · Visual arts · Art, Aesthetics, and Perception · German Literature and Culture Studies · Law · Memory, History, Trauma, Identity · Philosophy

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