Im Spiegel des Prinzen . Fanny Lewalds auto/biographische Selbstreflexionen als Jüdin in »Prinz Louis Ferdinand« (1849)
Bibliographic Data
| ID | 20405767 |
|---|---|
| Authors | Andree Michaelis‐König (0009-0003-9482-0156, corresponding author), Andree Michaelis-König |
| Year | 2023 |
| Volume | 33 |
| Issue | 2 |
| Pages | 245-257 |
| Publication date | 2023-11-28 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Aschkenas (JOURNAL) |
| Journal identifiers | ISSN: 1016-4987 • E-ISSN: 1865-9438 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/asch-2023-2011 |
| OpenAlex | W4389142107 |
| Language | DE |
This paper focusses on Fanny Lewald’s historical novel »Prinz Louis Ferdinand« of 1849. I examine the biographical as well as cultural-historical circumstances of the work’s genesis. Lewald clearly intended it as a critique of Prussian history, but at the same time the work’s focal point turns out to be a quite personal, female perspective. This perspective is mirrored in the prince’s experiences of loss and powerlessness. This leads me to explore the poetological dimensions of a writing in which the figure of the Prussian prince becomes a prismatic center of Lewald’s self-reflection. Here, the figure of Rahel Levin, as prominently portrayed by Lewald in her novel, plays a special role. It is precisely in her that the author’s interest in the political position of the Jewess in her as well as in Rahel Levin’s time becomes apparent
Art · Art history · Humanities · Political science · Politics · Visual arts · Art, Aesthetics, and Perception · German Literature and Culture Studies · Law · Memory, History, Trauma, Identity · Philosophy
| Highly cited | No |
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