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Perceptual Dimensions of Pitch and Their Appearance in the Phonological System of Music

Bibliographic Data

ID20407698
AuthorsAndrzej Rakowski (0000-0001-7568-2163, Fryderyk Chopin Academy of Music, Warszawa, corresponding author)
Year1999
Volume3
Issue1
Pages23-39
Publication date1999-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusicae Scientiae (JOURNAL)
Journal identifiersISSN: 1029-8649 • E-ISSN: 2045-4147
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/102986499900300102
OpenAlexW2279701142
LanguageEN
Citations received4
References cited5

The vocabulary of music's basic phonological code cannot be deduced by analysing a linear flow of musical events, but should be understood as composed of units operating separately in dimensions of particular perceptual domains. Over thousands years of human musical activity, special means have been developed in each of these domains to overcome memory constraints associated with the operation of large sets of perceptual units. Within the domain of pitch, the system split into four partly orthogonal dimensions: continuous (pitch height and pitch distance) and formally categorical (pitch classes and musical intervals). In each of those dimensions the number of more or less distinct categories is restricted due to limitations of memory. It generally conforms to Miller's (1956) “magical number 7 ±2” concerning memory capacity for magnitude levels of a unidimensional sensation. The compound nature of musical pitch sensation explains memory phenomena, which Miller was unable to rationalise

Art · Categorical variable · Cognitive psychology · Literature · Musical · Perception · Relative pitch · Speech recognition · Communication · Computer Science · Mathematics · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception · Psychology

  • Categorical perception of vocal emotion expressions

    Petri Laukka•Emotion•2005

  • Pitch Syntax as an Evolutionary Prelingual Innovation

    Open Access•Piotr Podlipniak•Musicae Scientiae•2022

  • L'oreille absolue

    Open Access•Sylvie Vangenot•Musicae Scientiae•2000

  • Some parallels between language and music from a cognitive and evolutionary perspective

    Open Access•Gertraud Fenk-Oczlon, AUGUST FENK•Musicae Scientiae•2009

  • The magical number seven, plus or minus two

    George A Miller, George Miller•Psychological Review•1956

Unique citing works4
Citations per year0,15
Citation span2000 - 2022 (23)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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