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Music, musicality, “musilanguage”

Bibliographic Data

ID20407708
AuthorsMario Baroni (0000-0001-5066-3580, Dipartimento di Musica e Spettacolo University of Bologna (Italy), corresponding author)
Year2008
Volume12
Issue1_suppl
Pages197-218
Publication date2008-03-01
Open AccessYes
TypeARTICLE
VenueMusicae Scientiae (JOURNAL)
Journal identifiersISSN: 1029-8649 • E-ISSN: 2045-4147
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/1029864908012001091
OpenAlexW2052746424
LanguageEN
References cited13

The aims of this article are to select, to summarise, and to critically discuss the principal topics presented in the papers of this special issue. Two main themes have been developed: the first makes reference to the origins of music, with a comparison of anthropological conceptions (the origins of mankind) with psychological conceptions (the musical development of infants). Particular attention is given to the “musilanguage” theory proposed by Steven Brown in 2000. The second main theme is related to the impact of theories of “origins” on what musicology today thinks of as the nature and sense of music. In order to provide concrete arguments pertaining to these topics, a section of the article is devoted to the main relationships between primordial proto-musical behaviours and adult musical activity. The presence of pre-verbal, “multimodal”, affective, interactive and ritual aspects of proto-musical behaviour, thought of as the more important characteristics of musical phenomena, has been considered as common both to anthropological and psychological theories and to their impact on today's conceptions of music. Three specific topics are discussed: proto-narrativity, musicality, and the relationships between musical structures and temporal dynamics

Art · Cognitive psychology · Cognitive science · Epistemology · Literature · Music and emotion · Music history · Music psychology · Musical · Musical Development · Musicality · Musicology · Computer Science · Multisensory perception and integration · Neuroscience and Music Perception · Philosophy · Phonetics and Phonology Research · Psychology

  • The Descent of MindPsychological Perspectives on Hominid Evolution

    Michael C Corballis, Michael Corballis et al.•The Descent of Mind•2000

  • Young children confronting the Continuator, an interactive reflective musical system

    Open Access•Anna Rita Addessi, François Pachet•Musicae Scientiae•2006

  • Can Dance Reflect the Structural and Expressive Qualities of Music? A Perceptual Experiment on Balanchine's Choreography of Mozart's Divertimento No. 15

    Open Access•Carol L Krumhansl, Diana Lynn Schenck•Musicae Scientiae•1997

  • L'acquisition des structures tonales chez l'enfant

    Elisabeth Olivier Bernard, Michel Imberty•Revue de musicologie•1970

Highly citedNo

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae